The apartment, reached by a stone staircase, was on the side of the house that faced south. The Abbe Troubert occupied the ground-floor, and Mademoiselle Gamard the first floor of the main building, looking on the street. When Chapeloud took possession of his rooms they were bare of furniture, and the ceilings were blackened with smoke. The stone mantelpieces, which were very badly cut, had never been painted. At first, the only furniture the poor canon could put in was a bed, a table, a few chairs, and the books he possessed. The apartment was like a beautiful woman in rags. But two or three years later, an old lady having left the Abbe Chapeloud two thousand francs, he spent that sum on the purchase of an oak bookcase, the relic of a chateau pulled down by the Bande Noire, the carving of which deserved the admiration of all artists. The abbe made the purchase less because it was very cheap than because the dimensions of the bookcase exactly fitted the space it was to fill in his gallery. His savings enabled him to renovate the whole gallery, which up to this time had been neglected and shabby. The floor was carefully waxed, the ceiling whitened, the wood-work painted to resemble the grain and knots of oak. A long table in ebony and two cabinets by Boulle completed the decoration, and gave to this gallery a certain air that was full of character. In the course of two years the liberality of devout persons, and legacies, though small ones, from pious penitents, filled the shelves of the bookcase, till then half empty. Moreover, Chapeloud's uncle, an old Oratorian, had left him his collection in folio of the Fathers of the Church, and several other important works that were precious to a priest.