These revelations as to the vast bearings of the real conspiracy made
Philippe a man of great distinction in the eyes of Carpentier and
Mignonnet, to whom his self-devotion seemed a state-craft worthy of
the palmy days of the Convention. In a short time the tricky
Bonapartist was seen to be on friendly terms with the two officers,
and the consideration they enjoyed in the town was, of course, shared
by him. He soon obtained, through their recommendation, the situation
in the insurance office that old Hochon had suggested, which required
only three hours of his day. Mignonnet and Carpentier put him up at
their club, where his good manners and bearing, in keeping with the
high opinion which the two officers expressed about him, won him a
respect often given to external appearances that are only deceitful.
Philippe, whose conduct was carefully considered and planned, had
indeed made many reflections while in prison as to the inconveniences
of leading a debauched life. He did not need Desroches's lecture to
understand the necessity of conciliating the people at Issoudun by
decent, sober, and respectable conduct. Delighted to attract Max's
ridicule by behaving with the propriety of a Mignonnet, he went
further, and endeavored to lull Gilet's suspicions by deceiving him as
to his real character. He was bent on being taken for a fool by
appearing generous and disinterested; all the while drawing a net
around his adversary, and keeping his eye on his uncle's property. His
mother and brother, on the contrary, who were really disinterested,
generous, and lofty, had been accused of greed because they had acted
with straightforward simplicity. Philippe's covetousness was fully
roused by Monsieur Hochon, who gave him all the details of his uncle's
property. In the first secret conversation which he held with the
octogenarian, they agreed that Philippe must not awaken Max's
suspicions; for the game would be lost if Flore and Max were to carry
off their victim, though no further than Bourges.
Public-domain text, read in full here on John Shaqi.
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