The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
In 1479, Pope Sixtus IV makes Jenson, printer-publisher of Venice,
Count Palatine, the first nobleman among publishers. In 1503, the
Venetian Senate charged Musurus (the friend and literary associate
of Aldus and professor of Greek in Padua) with the censorship of all
Greek books printed in Venice, with reference particularly to the
suppression of anything inimical to the Roman Church. This constitutes
one of the earliest attempts made in Italy to supervise the work of
the printing-press. The action of the Senate was doubtless instigated
by the authorities of the Inquisition. It was natural that the
ecclesiastics should have dreaded the influence of the introduction
into Italy of the doctrines of the Greek Church, while it was doubtless
the case that the refugees from Constantinople brought with them no
very cordial feeling towards Rome. The belief was very general that
if the Papacy had not felt a greater enmity against the Greek Church
than against the Turk, the Catholic States of Europe would have saved
Constantinople. The sacking of Constantinople by the armies of the
Fourth Crusade was still remembered by the Christians of the East as a
crime of the Western Church. There were, therefore, reasons enough why
the authorities of Rome should think it necessary to keep a close watch
over the new literature coming in from the East, and should do what
was practicable to exclude all doctrinal writings, and the censorship
instituted in 1503 was but the beginning of a long series of rigorous
enactments.
The censorship measures undertaken by the Government of Venice (as
was true of the measures of other States in which the business of
publishing became of importance) were more largely concerned with
the supervision of the press for the safety of the State than for
the interests of the Church. For the century between 1407–1528, this
censorship in Venice was carried on without the aid of any general
law, and was based simply upon a series of precedents evolved from
the individual action taken by the Government in each instance as it
arose. The responsibility for the censorship of the press rested with
the Council of Ten, which, in its capacity of a standing committee,
assumed a general charge of the morals of the community. An application
from a printer for a privilege must, according to the usual routine, be
accompanied by a certificate or _testamur_ from the examiners who
were willing to certify as to the soundness and the importance of the
work in question.
Public-domain text, read in full here on John Shaqi.
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