The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
The Roman, Spanish, and French Indexes served as guides to the Dutch
printers for the selection of books likely to prove of interest
and to secure circulation. In not a few instances, the scholarly
writers themselves who had been banished from Spain or from France
in connection with their so-called heretical teachings, or who,
irrespective of banishment, had decided that they could carry on
their work to better advantage in a territory which was outside of
the control of the Catholic Church, had taken up their residence in
Holland. The influx of these scholars made Holland for a century or
more the centre of scholarly activity in Europe and gave to the Dutch
publishers, in the use of these scholarly pens for original work and
for editorial work, an enormous advantage. The ethics of publishing
were at this time not recognised or certainly at least not recognised
outside of national boundaries. The Dutch publishers were quite ready,
therefore, in the case even of books which had not been prohibited
in the country of origin, to utilise texts that had been edited or
shaped by competitors in Venice, in Paris, or in Frankfort, for the
production of competing editions. The printers of Holland secured for
themselves a final advantage in developing after 1525 a better standard
of typography, both for accuracy and for beauty, than had as yet been
known in Europe excepting with certain of the issues of Aldus and of
Froben. The preëminence obtained under these several influences by the
printers of Holland continued until the middle of the 18th century.
=8. England.=--The work of printing in England began with Caxton,
in 1476. His catalogue speaks of his books as being “printed in the
Abbey of Westminster.” His presses were as a fact placed in the
almonry, a space within the Abbey precincts. Sir Thomas More has
shown why Caxton could not venture to print a Bible in the vernacular,
although the people would have greedily bought the Wyclif translation.
Wyclif’s translation was interdicted and More says: “On account of the
penalties ordered by Archbishop Arundel’s constitution, though the old
translations that were before Wyclif’s days remained lawful and were in
some folks’ hands, yet he thought no printer would likely be so hot to
put any Bible in print at his own charge, and then hang upon a doubtful
trial whether the first copy of his translation was made before
Wyclif’s days or since. For if it were made since Wyclif, it must be
approved before the printing.” This was a dilemma that Caxton was too
prudent to encounter.[150]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account