The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
“Sixthly, in this alphabetical revision are included books, written
whether in Latin or in French, Italian or Spanish, chiefly on religious
subjects, by men who were in their own day not subject to condemnation
at the hands of either God or men, but who, if they were now alive,
could hardly, or not at all, escape the Inquisition and damnation to
the shades of deeper hell. Moreover (to speak more plainly and to make
the thing clear by examples taken from this book) the _pontificii_
are so far from being consistent that books hitherto praised and
approved by worthy men are now transformed into prohibited books of the
second or third class. In this way was treated even the _Evangelium
Romanum prout a Clementis octavi manu Jacobs Davis Episcopo traditum
est_; for after the book had (if the stories may be believed) worked
miracles on the return of Perron to France, it was not only left
neglected, but the possession of a copy was prohibited under penalty of
excommunication.[151] Capucinus, inquisitor in the diocese of Naples,
has his doubts about the Index of Quirogus (Madrid, 4VO, 1584), and
for this reason he incurs censure in the Sandovillian Index, p. 365
(consult our catalogue) and the _Enchiridion Ecclesiasticum_, Ven.,
1588 (see our catalogue) is by no means to be read unless _corrigatur_.
In the same way, Gabriel Pentherbeus’ book on The Destruction of Evil
Books is not always free from the censure of others. What need of
more examples? The Defence against the Reformers, according to the
principles of S. Francis, S.D.N., by Manfred (and, good God, what a
man) is altogether prohibited, unless I have overlooked something. If
so many and such men do not escape the hands, or rather the claws of
their own party, who can guarantee safety to a book composed by any
author whatever? Not Aesculapius himself, their God, their lord Pope,
ventured to promise this, since Clement VIII changed the books of his
predecessor, Sixtus V, with no consideration for the industry involved,
on the ground of typographical errors, a most glorious lie. There are
many more cases of this sort worthy of notice, but it has seemed best
to mention but these few facts at present. Let the rest be left in the
hands of the intelligent reader, or postponed to another time.
“Finally, it must be carefully noted that the censures sometimes recoil
upon the censors themselves, for no law is juster than that the very
inquisitors should be revised, corrected, and altered, under the rod.
The complete works of Beatus Arias Montanus for one were most severely
castigated by the first inquisitors and expurgators. This is done
(strange but true) on page 55 of the Index Sandovilliano and on page 39
of the Roman Index, to say nothing of the Indexes named above. Are more
instances wanted?”
CHAPTER X
EXAMPLES OF CENSORSHIP OF THE STAGE IN THE
SIXTEENTH CENTURY
1. In Italy
2. In Spain
3. In France
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account