Abella threw up her hands. “How very strange, and how very unhappy you
all must be!” she cried.
The dear child! So interesting to converse with one who cannot
understand ... beautiful, tedious, the two always go together; yet I had
been detained a week.
Undaunted by Abella’s frankness, I offered my sketches to the artist
fisherman for examination. He smiled indulgently, looked them over,
and desired them all, offering in return any one from his wonderful
collection. I agreed, and followed him to the top of his mound-shaped
home, entering a room strong with the odor of oil and paint. It was
the workshop of an artist; a studio is quite another place. Near the
window upon an easel was a half finished painting of sky, storm
clouds, with a background of thunderous, rolling, flame-tinged
vapor—the sullen red of a storm sun that no artist has as yet
mastered. The picture was powerfully impressive. The fisherman was a
master, his aim—individuality. But I could not admire his ideal of
feminine beauty. He was the creator of a Type, elongated, sombre,
gaunt, thick-lipped; yet in these impossible faces was that which
could not be found in one woman’s face in all Centauri—soul. The
artist had a cunning skill, he was able to depict that which he
lacked.
I looked in vain for a trace of the delicate loveliness of his wife, but
in all the work scattered about the walls there was not one sketch of
Abella.
He asked me if I had noticed his work in the Salon. I told him I had not
yet visited the Salon.
“My work is conspicuously hung,” he informed me. “You cannot overlook
any of it. I am the only painter in Centauri who refrains from defacing
canvas with initials. I come from a long line of artists; necessity made
us fishermen; yet each in his time was the foremost painter of the age.
I am that to-day; success is the heritage. Those divinely gifted with
genius strive for fame, glory alone; to barter that speck of gold which
the sun’s rays burned in us is sacrilegious. Sol! blind my eyes forever
to your golden brilliancy. I would as soon think of selling my wife
Abella.”
“And when you have reached fame, glory—what?” I asked.
“You do not quite understand,” he quickly replied, “it is not momentary
fame we seek; immortal fame is the goal we all strive for. But all who
are famous cannot be immortal, yet each believe immortality the just
reward; even Alpha, the Superb, yearns for immortal fame, and is wasting
her gorgeous youth in the effort.”
He turned to a huge stone chest or vault set in the wall; unbolting the
door he invited me to enter. There was sufficient light from the outer
room, and I saw shelves reaching from floor to ceiling ladened with
parchment canvases carefully covered with oil silk.
Public-domain text, read in full here on John Shaqi.
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