Accosting the first pedestrian I inquired the way to Professor
Saxlehner. Following directions, I soon reached Saxe.’s dwelling, which
was brilliantly lit from top to bottom. The house seemed all frontage,
wide, flat, and very shallow. I touched a conspicuous knob, the door
startled me, as, clanging violently, it slid up. There stood Saxe. at
the far end of the hall waiting for the intruder, but seeing me he
shouted welcome.
“Thought you intended to stay for good with Saunders,” he told me after
the greeting. “What consumed the time? Surely not Saunders! Never mind,
tell it to me later. The Centaurians do things in style; my workshop is
a great improvement upon the old one, but, confidentially, Virgillius,
give me the attic every time; there the ideas came without wasting hours
thinking them up. This luxury inspires yawns. I don’t see how these
people ever made such rapid headway.”
And Saxe. was right, the place resembled a lady’s boudoir, all silken
cushions, soft carpets and rainbow tints.
“But it’s pleasant to rest here when I’m tired,” he continued. “I don’t
object to the frippery, it’s all in a lifetime. The rear is serious
enough.”
“And breeches more comfortable, eh, Saxe.?” I nudged him.
“No comparison, my boy!” he replied. “I’m done with petticoats, a man
can’t do anything in them but try to look pretty. No wonder women spend
most of their lives primping, it’s the petticoats. I’ve found a tailor
who knows his business. Imagine us returning to our own land rigged up
in the sort of thing you’ve got on! Yes, sir! I feel like Saxlehner now.
Sheldon’s done the same thing; says the climate of the Ocstas is too
arctic for tights.”
I decided to don trousers again.
“Yes,” Saxe. advised, “bundle the drapery out; it makes you look like
the bearded lady. Now for the _Propellier_. The new machine is a great
improvement upon the old one; the defects of the first are remedied in
the second—don’t advertise it.”
He showed me two or three tiny wheels, several great long screws and
rivets, and two gigantic pieces of filigree work cast in glittering
metal.
“Pure gold,” he informed me, “cast in crystal molds over a furnace of
electricity. It took me several days planning and figuring for the
molds, yet, by George! the factory delivered them in a few hours. That’s
rapid work for you! Molds should always be of crystal.”
“But the gold!” I interrupted; “is the whole machine to be cast in
gold?”
“Of course! What of it?” he cried. “It’s manufactured by wholesale and
on the market like lumber. Look here.”
He opened the adjoining room and showed me the gold stacked up in blocks
ready for use.
“Is it absolutely pure?” I asked.
Public-domain text, read in full here on John Shaqi.
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