The Century Illustrated Monthly Magazine (May 1913): Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913Various
History
The Century Illustrated Monthly Magazine (May 1913): Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913
Various
Periodicals
The poet-painter Buchanan Read, Herman Melville, and many minor writers
made “Winchester” the subject of poems and sketches, while several
sculptors and painters delineated him in marble and bronze and on
canvas. On every returning Memorial day many gray-haired survivors of
Sheridan’s rough-riders who remember the services of his
Steed as black as the steeds of night,
cross over from New York to Governor’s Island museum, and place flowers
on the glass case containing the celebrated charger, whose body,
after being set up by a skilled taxidermist, was, accompanied by his
accoutrements, presented by the general to the United States Military
Service Institution.
Near the close of his career, when General Grant lost his fortune in
Wall Street, he voluntarily surrendered all his property with a single
exception. He retained Read’s spirited painting of Sheridan’s “Ride,”
representing “Winchester” and his master, the greatest _sabreur_
that our country has produced, perhaps not surpassed by any cavalry
commander since the days of Murat. Read’s poem of “Sheridan’s Ride”
will probably outlive his famous picture.
Hurrah, hurrah for Sheridan!
Hurrah, hurrah for horse and man!
And when their statues are placed on high
Under the dome of the Union sky,
The American soldier’s temple of fame,
There with the glorious General’s name
Be it said in letters both bold and bright:
“Here is the steed that saved the day
By carrying Sheridan into the fight,
From Winchester--twenty miles away.”
May I be permitted, in conclusion, to mention that none of the hundreds
of battle-chargers ridden by Washington, Napoleon, Wellington, Grant,
Lee, Sherman, and Sheridan, suffered mutilation by the barbarous modern
practice of docking their tails, which even uncivilized savages never
perpetrate on their horses.
[Illustration]
MRS. LONGBOW’S BIOGRAPHY
BY GORDON HALL GEROULD
My acquaintance with Mrs. Longbow was due to my early friendship with
her son Charles. Mrs. Longbow and her two daughters swung into my
orbit quite unimportantly at first as shadowy persons to whom Charlie
wrote letters home while we were boys at school; later I came to know
the mother as an imposing figure, shiny with black jet, who eyed the
school from a platform on those great occasions when Charlie received
prizes and I did not. I never learned her weight, but I saw that her
displacement was enormous. By successive stages, as I increased in
stature and in years, my knowledge of her grew. I visited her son,
I danced with her daughters, I frequently conversed with her,--she
preferred to converse rather than to talk,--and I came to know as much
of her habit and attitude of mind, perhaps, as one could who was thirty
years her junior, not actively engaged in reforming the world, and of
the despised sex.
Public-domain text, read in full here on John Shaqi.
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