The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913Various
General
The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913
Various
Periodicals
red-thorn trees, where the fruit begins to drop in September; tossing
their heads above the orchard wall, where the fragrance of ripening
apples is on the air; in the autumn lying upon the cold, damp ground
and ruminating contentedly, with no fear of our ills and pains before
them; wading in the swamps, converging slowly toward the pasture-bars
as milking-time draws nigh, with always some tardy, indifferent ones
that the farm-dog has to hurry up; many colored--white, black, red,
brown--at times showing rare gentleness and affection toward one
another, such as licking one another’s heads or bodies, then spitefully
butting or goring one another; occasionally one of them lifting up her
head and sending her mellow voice over the hills like a horn, as if
to give voice to a vague unrest, or invoking some far-off divinity to
release the imprisoned Io--what a series of shifting rural pictures I
thus have spread out before me! Such an atmosphere of peace and leisure
over it all! The unhurrying and ruminating cattle make the days long;
they make the fields friendly, the hills eloquent, the shade-trees
idyllic. I wake up to hear the farmer summoning them from the field
in the dewy summer dawns, and I listen for his call to them on the
tranquil afternoons. One season an especially musical voice did the
evening calling--a trained voice from beyond the hills. What a pleasure
it was as we swung in our hammocks under apple-trees to hear the free,
sonorous summons, and to see the response of the herd in many-colored
lines converging down the slope to the bar-way!
When the meadows have gotten a new carpet of tender grass in September,
and the cows are free to range in them, a new series of moving pictures
greets the eye. The grazing forms have a finer setting now, and
contentment and satisfaction are in every movement. How they sweep off
the tender herbage, into what artistic groups they naturally fall,
what pictures of peace and plenty they present! When they lie down to
ruminate, Emerson’s sentence comes to mind: “And the cattle lying on
the ground seem to have great and tranquil thoughts.” As a matter of
fact, I suppose no more vacant mind could be found in the universe
than that of the cow when she is reposing in a field, chewing her
cud. But she is the cause of tranquil if not of great thoughts in the
lookers-on, and that is enough. Tranquillity attends her wherever she
goes; it beams from her eyes, and lingers in her footsteps.
I sympathize with Whitman as he expressed himself in these lines:
“I think I could turn and live with the animals, they are so placid
and self-contain’d,
I stand and look at them, long and long.
Public-domain text, read in full here on John Shaqi.
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