The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913Various
General
The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913
Various
Periodicals
[Illustration: ZOBÉIDA, FROM SYRIA]
[Illustration: MARGHERITA, FROM ITALY]
[Illustration: JENNY, FROM CANADA
ULANA, FROM POLAND
DOLORES, FROM SPAIN
KALINKA, FROM BULGARIA
ALICE, FROM ENGLAND
SARAH, FROM SOUTHERN RUSSIA]
[Illustration]
THE DEVIL, HIS DUE
BY PHILIP CURTISS
Now, Furniss was a devil. I mean that exactly, and if I might, I should
like to explain it, for I wish to draw a distinction between the
devils and the merely devilish. If argot had not spoiled the phrase, I
might have said that he was a regular devil, as distinguished from the
volunteer, the territorial, the occasional, or the would-be devil.
The distinction between a regular devil and one who is merely devilish
is exactly the distinction between the professional and the amateur
in all occupations. The devilish do things purely for the éclat of
the doing, while the devils do them because they want the things
done. A professional carpenter carpenters in order that he may have
a table, to be used for his varying ends; an amateur uses his tools
merely for the sake of the chips. That an occasional amateur displays
unusual brilliancy in the accomplishment has nothing to do with the
distinction. The real devils, moreover, regard the devilish purely
with a mild amusement, if they regard them at all. Their only vexation
is that of professional craftsmen at the “pin-money” workers, whose
spasmodic efforts cut into legitimate trade.
The most powerful proof which I can bring to the statement that Furniss
was a real devil, however, is the one that he did not regard himself as
a devil at all. On the contrary, he regarded himself as an industrious
citizen, fairly successful in the accomplishments of his ends. As
a career, devilishness did not interest him in the slightest. Its
material rewards were all that he sought.
Now, at midnight, on the thirtieth of October, Furniss, with the best
intentions in the world, was standing in a group in the ball-room of
the Fitchly Country Club, harmlessly singing “Auld Lang Syne.” At one
minute past twelve the engineer turned out all the lights, having
standing instructions to do so, for Fitchly was a goodly town, and on
this particular night the steward had forgotten to make an exception.
The result was that which usually occurs when the lights are turned
out on a perfectly respectable and usually sane gathering of grown men
and women--every bit of asininity in the mob swarmed to the surface.
There were cat calls, screams, and suggestive labials, while all the
naturally executive began groping toward the door and the steward.
Public-domain text, read in full here on John Shaqi.
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