The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913Various
General
The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913
Various
Periodicals
Of the many mixed emotions which accompanied the premature withdrawal
from the Country Club that night, only two will suffice for
illustration, as they marked the extremes--those of Furniss himself
and of Butley Smith, the Menelaus of the ravished Helen. Those of
Furniss, indeed, were no doubt very similar to the emotions of the son
of Priam himself on the occasion of the original Hellenic uprising--an
amusing incident and an unfortunate one, but why this unseemly outcry?
His kissing some one when the lights went out had been a perfectly
consistent act. It was not an emotional impulse; it was, in a way, a
duty to the conventions, and how was he to know that the recipient was
a former sweetheart? He had no desire to repeat the crime. The attitude
of the Country Club had made osculation rather nauseous. It would seem
better breeding not to notice it; and yet, and yet, it was rather funny
that it should have been Helen. It was the first personal illustration
which Furniss had ever had of the dramatic, and he began to ponder. If
you ever wish to reclaim a devil, just try him on the dramatic. It is
the only uplifting influence which sleeps in the souls of most of them.
The emotions of Butley Smith were less happily chosen. He also felt the
impulse of the drama, but his was the stiff and unnatural drama of the
classic schools, for his cue directed him to punch in the face of the
offending Furniss. It was a glowing idea, but it wasn’t practical, as
associates of Butley brutally pointed out when they drew attention to
the fact that the face of the ex-half-back, and the present associate
of half the prize-fighters in the East, would be an extremely hard one
to pummel, and their logic suggests an admirable course of action for
one who would play a dramatic part in such histories. If you must be an
outraged husband, be one in a novel or a play, where you will always
be able to thrash or horsewhip or shoot the villain within an inch
of his life. The physical incapacity of villains in these circles is
admirable. In real life, unfortunately, they are quite apt to be fully
the equals of the outraged husband, or otherwise the husbands would be
less frequently outraged.
The probabilities of this situation were easily comprehended by a legal
mind which spurned a criminal practice, and Butley Smith had to take
his satisfaction in biding his time, reserving, however, the privilege
of biting his lip, to which extent he lived up to the unities. Meantime
the situation in Fitchly did not improve.
Public-domain text, read in full here on John Shaqi.
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