Like Italy, Spain has its schools of painting, and the school of Andalusia came into prominence under Luis de Vargas, "the best painter of the Sevillan line from Sanchez de Castro to Velasquez" (Sterling, "The Artists of Spain"). His earliest known work was completed just about the end of Columbus' Century. It is the altar-piece of the Chapel of the Nativity in the Cathedral at Seville, so often admired. Vargas is famous for his portraits, "for the grandeur and simplicity of his design, his correct drawing and fresh coloring and the great purity and grace in his female heads." [Footnote 9] Pablo de Cespedes, born toward the end of our period, doing his work afterwards, is very well known. [Footnote 9: Painting, Spanish and French, Gerard W. Smith, among the Art Handbooks.] {83} [Illustration: CESPEDES, THE LAST SUPPER (CATHEDRAL, CORDOVA)] In the School of Valentia, Juan de Juanes is famous for his religious pictures. His vigor and variety of invention are wonderful and his coloring is splendid. His numerous faces of Christ were unrivalled, the best perhaps being that with the Sacred Cup. His pencil was wholly dedicated to religion, and, {84} according to the tradition, he habitually communicated and confessed before taking a sacred picture. He had two daughters, Dorothea and Marguerita, who are famous in the history of Spanish art, typical, illustrious women of the Spanish Renaissance. [Illustration: BERTOLDO DI GIOVANNI, BATTLE (BARGELLO)] {85} CHAPTER VI SCULPTURE IN ITALY Columbus' Century was destined to see the creation of some of the finest sculpture since the time of the Greeks. Probably in no department of art does this period stand out as so surely surpassing any other period of modern times, or indeed any time except the Periclean, as in its power to furnish great examples of plastic art. Triumphs of sculpture were accomplished in every medium--stone, bronze, terra-cotta, wood and the precious metals. The eve of the century saw the making of some very great sculptures, which portended the wonderful development that was to come. It was in 1447 that Ghiberti completed the second pair of doors for the Baptistery at Florence, which have been the admiration of the world ever since. After this it was easy to understand that there was no development of artistic expression in plastic work that might not be expected. All the expectations possible were realized in the succeeding hundred years.