{124} The plan of the Palace of Caprarola is a pentagon enclosing a circular court, each of the five sides measures 130 feet and the court is 65 feet in diameter, while the three stories are each about 30 feet in height. It is usually considered one of the finest palaces in Italy. In spite of the difficulty of the task and the singularly unfavorable nature of pentagonal form for architectural effect externally and commodious arrangements internally, the architect succeeded admirably. As the picture of it shows very well, the approach was managed beautifully and the effect of castellation very well secured. The story of architecture, secular as well as religious, outside of Italy is quite as interesting as that in Italy itself at this time. Everywhere throughout Europe beautiful buildings were erected in charming taste and with fine effectiveness. This is particularly true as regards the municipal buildings of various kinds, the town halls, the hospitals, the asylums for foundling children, and all the other structures due to civic munificence at this time. Just as in regard to painting and sculpture, the Netherlands was the seat of some extremely beautiful artistic work of great originality and perfection of detail during this period. There is scarcely an important town of Belgium, and even a number of those that have become quite unimportant in our time, which does not present some architectural monument of cardinal importance in the history of architecture. While Italy is much better known, Belgium deserves, and in recent years has very properly received, devoted attention from students and amateurs in all the arts, and not least has its architecture come into its due meed of praise and appreciation. [Illustration: HOTEL DE VILLE, LOUVAIN] One of the most beautiful architectural monuments of the later fifteenth century is the town hall of Louvain. Indeed, it is one of the most beautiful architectural monuments of its kind in the world. Schayes, in his "History of Architecture," says, "Not only is the Hôtel de Ville of Louvain the most remarkable municipal edifice in Belgium, but one may seek in vain its equal in Europe." Its architect, whose name was unknown until well on in the nineteenth century, was only a master mason of this capital of Brabant when he was entrusted {125} with the task of making for the burghers of one of the most important towns of the time a town hall such as they would consider worthy of them, but above all surpassing those erected by any of the neighboring towns. He succeeded eminently in fulfilling the commission, and fortunately the town hall remains almost in its original condition as a monument to the wonderful artistic workmanship of the time. [Illustration: ALCALÁ, PARANIMFO (STATE APARTMENT OF UNIVERSITY)]