Probably the greatest artistic genius that the world has ever known, certainly the man who was best able to express his thoughts most perfectly in every mode of art, with chisel, pencil, brush and pen, was the son of Lodovico de Leonardo Buonarroti-Simoni, whom succeeding generations have known as Michelangelo. He was a member of a noble Italian family much reduced in the world. They claimed to be related to the celebrated Counts of Canossa in Northern Italy, and when Angelo became famous there was a recognition of the relationship by the head of the Canossa family of that day. Nobility is usually willing to be related to great genius, but genealogists have not been able to trace the relationship. When Michelangelo was born (March 6, 1475), his father was the governor of the Castle of Caprese, which stood on the crest of a bold and rocky ridge of the Catenaian Alps, overlooking the wild and rugged hills in which the Tiber and Arno rise. He died two months before Shakespeare's birth in 1564, when another month of life would have brought him to his ninetieth year. He is another typical example of the fact that genius usually inhabits long-lived bodies. Great men may be short-lived by accident, but as a rule the over-abounding vitality, which enables a great mind to express itself greatly, also enables the personality with which it is associated to reach longevity. It is fortunate for us, seeing that Angelo was such a great genius, that as Lilly said: [Footnote 2] "There are few great men of whom we possess so many and such authentic documents." His works are the living monuments of his genius, but we have, besides even minute details of all his long life, his struggles, {33} his triumphs, his friendships, his patrons and above all the fire of trial through which his genius passed in order to secure its expression of itself. [Footnote 2: W. S. Lilly: "Renaissance Types." Macmillan, 1904.]