The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
There were many other kinds, too numerous to be here given in detail,
including the “porcelain of concealed color,” so called because designed
for imperial use, and others of varying tints of violet, brown, purple,
and blue. At King-teh-chin jade-colored porcelain was made before the
tenth century, and a hundred years later the entire empire was
interested in the manufacture. With a mere reference, in the mean time,
to the blue-and-white porcelain of the Youen Dynasty, we pass to that of
the Ming, to which some of the porcelain most highly prized by
collectors belongs. When, in 1369, a factory was started at
King-teh-chin to supply the imperial wants exclusively--an event not to
be confounded with the foundation of the King-teh-chin manufactory,
which took place during the Song Dynasty, three hundred and fifty years
previously--the vases of blue camaïeu, called Kouan-ki, or magistrate’s
vases, were made in that city. These valuable works were probably
intended to follow as nearly as possible the more ancient Tcheou
porcelain, which had reached so great a value that even fragments of it
were employed like precious stones. It will be observed that the earlier
magistrates’ porcelain was made under the Song, and the explanation is
given that the Ming Kouan-ki were so called to distinguish the porcelain
made at the royal factory from those made for vulgar use. It may be
added that the old turquoise blue was made from copper, and the sky-blue
from cobalt.
The blue-and-white “Nankin” is a comparatively modern ware made at
King-teh-chin. It takes its name from the place of export. It is, in the
strict application of the term, not older than the beginning of the
sixteenth century, when the Chinese began to use imported cobalt; but as
now employed, it includes all Chinese porcelain with blue-and-white
decoration. The folly of such an unmeaning subdivision finds its reward
in the confusion of the student. The blue-and-white is not only the
oldest of all Chinese decoration in colors, but is found upon some of
the most interesting and valuable works.
[Illustration: Fig. 75.--Pearl.]
[Illustration: Fig. 76.--Sonorous Stone.]
[Illustration: Fig. 77.--Tablet of Honor.]
[Illustration: Fig. 78.--Sacred Axe.]
[Illustration: Fig. 79.--Celosia.]
[Illustration: Fig. 80.--Treasures of Writing.]
[Illustration: Fig. 81.--Outang.]
[Illustration: Fig. 82.--A Shell.]
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