The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
The shaded violet specimens alluded to remind us of others, in a rich
liver-red, where the color becomes paler as it ascends. Thus, in the
five-fingered rosadon (Fig. 102) the base is a deep crimson, which turns
to scarlet on the body, and finishes on the tips of the fingers in a
cloudy white. This color, like the aubergine violet, and a bright red
were found upon some of the works made at Kiun in the tenth century; nor
must we forget the pieces like “red jade” made at Ting-tcheon about the
same period. It does not appear to have been used at King-teh-chin until
the Yong-lo period, early in the fifteenth century. The bright red was
reproduced by Thang-kong, the artist already mentioned, in the
eighteenth century. It is difficult to follow the Chinese in the
handling of colors so nearly akin, and yet differently treated, and
producing effects so varied. The liver-red often appears as a true
_céladon_ upon pieces closely resembling in paste the hard opaque body
of the old sea-green. These have rarely any decoration, and resemble in
this respect many small objects, such as narrow-necked bottles, to which
a bright red lends a color that in vivid brilliancy and clearness
involuntarily recalls the comparison of the Ting porcelain with red
jade.
[Illustration: Fig. 103.--Chinese Yellow; Green Decoration. (Sutton
Coll.)]
Of the yellow called “Imperial,” from its being the color adopted by the
Tai-thsing Dynasty, little is known. The shades vary from a deep orange
to a light straw color, but that called Imperial is said to be the
citron yellow. Mr. Marryat says that he has seen genuine specimens in
only two collections--the late Mr. Beckford’s and the Japan palace at
Dresden. He adds, that imitations have been made at Canton and exported.
Mr. S. P. Avery, of New York, has a number of pieces of different
tints--chrome, citron, lemon, pale and deep yellow, some of which are
very curious in both form and decoration. The different shades are also
well illustrated in Mr. W. T. Walters’s collection.
[Illustration: Fig. 104.--Grains of Rice. (S. P. Avery Coll.)]
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