The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
To an American or European taking a wide view of the ceramics of the
Chinese, while it is evident that they have produced a vast amount of
very beautiful work, the question will no doubt present itself, whether
they do not sometimes confound ingenuity with genius, and value the
mechanical more highly than the artistic. That they were skilful and
rejoiced in exercising their skill is evident; but no one can look
without admiration upon their exquisite coloring and flower decoration.
If one could find anywhere a _complete_ collection of Chinese pottery,
stone-ware, and porcelain, it would be found to contain nearly
everything admirable in ceramics, although occasionally hard to
appreciate or understand. It would be found to illustrate the entire art
history of a people patient, laborious, keen to observe, and swift to
imitate, and whom, curiously enough, many of us would rather hear from
through the china merchant or collector, than meet in more direct
intercourse.
CHAPTER VI.
COREA.
Geographical Position.--Successive Conquests.--Its Independent
Art.--Confused Opinions regarding it.--Its Porcelain.--Decoration.
[Illustration: Fig. 107.--Old Corean Earthen-ware Five-handled Jar.
Yellow on Green. (A. A. Vautine & Co.)]
To the north-east of China, across the Yellow Sea, and adjoining the
Chinese province of Shengking, lies the peninsula of Corea. Situated
between China and Japan, it was alternately under the domination of its
more powerful neighbors, and has given, in its ceramic productions,
abundant evidences of their sway. At first its works were attributed to
Japan, from which country they were carried to Europe. Further inquiry
led to the discovery that Corea had an independent artistic existence,
and that, while borrowing from either side of it, it imparted to both
China and Japan the secrets it had mastered in the art of painting
porcelain. The confusion regarding Corean ceramics is entirely due to
the commercial intercourse between it and its neighbors, whose styles it
adopted and occasionally mingled. Its wares were also sent into their
markets. It long ago ceased to produce any kind of porcelain.
Public-domain text, read in full here on John Shaqi.
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