The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
Leaving Arita, in the mean time, there are several other centres
demanding notice. The blue Sometsuki is also made in Owari and Kioto.
With the latter is associated a distinctive ware called Eraku, from its
inventor, in which gold decoration is laid upon a red ground. When
Indian-ink and the colors of the Nishikide are found on Kioto porcelain,
it resembles very closely that of Hizen. Green, blue, and gold are
frequently mingled. As in other Japanese centres, the tendency to seek
nature, either for suggestion or imitation, manifests itself at Kioto.
Vases with crabs and shells, moulded and painted from nature, remind us
of the “Palissy pottery, with raised fishes and fruit,” of which Sir R.
Alcock speaks.
[Illustration: Fig. 133.--Kaga Ware. Decoration, Red and Gold. (A. A.
Vantine & Co.)]
Somewhat similar to Eraku is the porcelain of Kaga. One quality (Fig.
133) of the latter has gold decorations on red or black grounds, mingled
with flowers or birds traced either in red or black, according to the
ground. On another quality the painting outlined in black is executed in
enamel colors, resembling those already described as in use at Arita.
The result is exceedingly rich. One specimen is described by Mr. Jarves
(“Art of Japan”), and is in the possession of Mr. Sutton, of New York.
On the outside are two men holding a conversation on the bank of a
stream. In the inside, in Chinese characters--adopted by the Japanese in
the third century--of the minutest size, is the following explanatory
legend: “Kutzen had already taken his leave, and was wandering by the
side of the river, in a sorrowful and dejected manner, when he met a
fisherman, who said, ‘Why do you come here? You are the chief retainer
of King Sâ.’ Then Kutzen replied, ‘The men of the world are all alike,
and as impure water, but I am pure; they are all drunk, but I am sober;
therefore I come here.’ Then the fisherman said, ‘An ancient sage has
said, that if we mix and associate with the men of the world, we shall
become as impure as they are; if they are all drunk, we shall be drunk
also, and drink the sediment of their drink; if they are dirty, we shall
be dirty also, and stir up the mud.’ Then Kutzen replied, ‘It is an
ancient saying, that when we dress our hair, we necessarily rub the dust
off our cap; when we bathe in hot water, we necessarily shake the dust
off our clothes; thus, when our hearts become pure, we shake off all
defilement. I would rather throw myself into the river, and become food
for the fishes, than to be defiled by thee!’ Then the fisherman went
away smiling, and, striking the gunwale of his boat, sang: ‘So, when the
waters of Soro are clean, I will wash my cap-strings; when the waters of
Soro are dirty, I will wash my feet.’”
Public-domain text, read in full here on John Shaqi.
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