The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
The lustres of Gubbio (Fig. 219) are inseparably associated with the one
great name of Giorgio Andreoli, or, as he is usually called, Maestro
Giorgio. He was a native of Pavia, and was originally a sculptor; and
after he went to Gubbio, in 1498, executed some works in the Della
Robbia style (Fig. 209). A piece dated 1489, and signed “Don Giorgio,”
is ascribed to him while he was still at Pavia, but the first piece
characteristic of the master, signed and lustred, is dated 1519, and the
last 1541. We have said that Xanto of Urbino lustred his own pieces, but
the matter is not free from doubt. Maestro Giorgio certainly was master
of the art of lustring, and the brilliancy of his ruby reds, copper, and
mother-of-pearl is unrivalled. But the statement of many writers that
artists at other places sent their works to Gubbio to be lustred, and
allowed Giorgio to affix his name to them, is too repulsive to be
accepted without protest or reservation. One can hardly imagine a more
unworthy course than that ascribed to Giorgio, of laying aside his
proper artistic functions and becoming merely a decorator with lustres,
“indifferent,” as Marryat says, “by whose hands they were executed or
from what fabric they proceeded.” It is in this capacity of decorator
that the otherwise finished paintings of Xanto and others are said to
have been sent to him to be enriched with lustre. The earlier Gubbio
wares generally have a pale-blue ground, with grotesques and scrolls
terminating in animals’ heads, and mingled occasionally with cherubs’
heads. The grounds afterward became more brilliant, and the designs
include mottoes and busts in celebration either of the great men of the
time or of its fair ladies. It is to be noted that Giorgio lived before
the accession of Guidobaldo II., and consequently did not partake of the
benefits enjoyed by the Fontana family at Urbino.
[Illustration: Fig. 218.--Urbino Pilgrim’s Bottle. (South Kensington
Museum.)]
[Illustration: Fig. 219.--Lustred Gubbio Vase, of about A.D. 1500.
(South Kensington Museum.)]
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