The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
Where but in nature shall we see anything suggestive of such decoration?
We do not find it in Japan, for the symbolical and semi-imaginative,
semi-realistic style of the extreme East has nothing in common with this
naturalism. As little do we find it among the brilliant colors and
fantastic forms of Persia. If we come nearer home, to Italy, even to the
French centres we have already visited, there is nothing in their
classical scenes and floral wreaths and bouquets to prepare us to find
in Limoges their orderly successor. In a word, the style is original.
There is no crowding of tints for the sake of their rich beauty. A
single flower lying on a ground of one prevailing tone is sufficient
ornamentation for a vase; or a handful of flowers may be scattered upon
the surface in tumbled profusion, or woven into a wreath. Haviland has
entered upon a hitherto undiscovered path, and let us pray that he may
never be tempted to try the porcelain decoration which threatened to
ruin faience, nor to give us anything more meretricious than the beauty
of a garden flower or of the many other admirably conceived forms which
he has endowed with life.
[Illustration: Fig. 244.--Haviland Faience. (Miss Clara Louise Kellogg
Coll.)]
The best pieces have been chosen for commendation and to illustrate the
highest results to be expected from the new process. It is
unquestionable, however, that there are many pieces of this faience
which could be disposed of without seeking words for the expression of
enthusiastic praise. This gives those desiring specimens every
opportunity for the exercise of a judicious discrimination. In some
pieces the simultaneous melting of the color and glaze has resulted in a
haziness of outline and confusion of colors by no means characteristic
of the better examples. On others with figure decoration the drawing has
been completely destroyed, and the figure left in obscurity. These
inferior pieces are useful, however, for showing how careful must be the
work which produces the bold effects securing our admiration.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account