The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
Haviland & Co. have attained an exceptional success in colors. A
complete toilet-set of _pate tendre_ is turquoise blue of great richness
and transparent depth. The modelling corresponds with an achievement in
color which has been the despair of ceramic artists for centuries. Deck
is the only French maker who, before the Havilands, approached the old
turquoise of China. The art has long been lost in the East. Deck’s
pieces, however, are apt to craze or crack in irregular breaks, and this
was thought to be unavoidable until Haviland made crackle closely
resembling in color the rare old Chinese. Of the same material are two
recumbent Psyches (Fig. 278), one in blue, the other in pink. In no more
poetic form do we remember to have met the winged nymph who turned
against Cupid the darts with which he was wont to afflict humanity. A
set of three graceful vases (Fig. 279) with reticulated necks, and each
supported on a tripod of goats’ feet, is painted in blue, gold, and
pink. The forms are graceful and the coloring refined. The paintings of
Poitevin and Du Liege on these and other pieces are characterized by the
most exquisite delicacy. M. Pallandre, the Parisian flower-painter, has
also lent to the porcelain of Haviland & Co. the beauty conferred by his
dexterous brush.
[Illustration: Fig. 278.--Psyche, in Blue Pate Tendre.]
[Illustration: Fig. 279.--Pate-tendre Vase.]
[Illustration: Fig. 280.--Deck Vase. (G. Collamore.)]
An excellent domestic ware, also made at Limoges, is largely imported by
the manufacturers, Charles Field Haviland & Co., of New York. The
greater portion of it is undecorated; but lately the makers have been
turning their attention to decoration, and artistic work of considerable
merit now comes from their establishment.
[Illustration: Fig. 281.--Deck Plaque. (G. Collamore.)]
Before leaving France, the names of Deck, Solon, and Regnault may be
allowed to stay our progress. The Messrs. Deck, of Paris, have, as we
have seen, made a special study of color, and were the first, or among
the first, to revive Oriental decoration. Their Persian ware, or
imitation of the old art of Persia, is characterized by much of the
beauty of the original. Their blue, as we have seen, is especially
commendable, and enabled them to compete with the enterprising imitators
of England, the Mintons, who have for several years been in possession
of a blue very little inferior to the turquoise. It is to be regretted
that Deck was not represented at the Centennial Exhibition, where, by
the richness of his palette, he would have had an opportunity of
extending his reputation in America.
M. Regnault, who succeeded M. Ebelman in the directorate of Sèvres, was
the inventor, while at the Sèvres manufactory, of _pate changeante_. The
ware appears, during the day, like gray céladon, and at night, under
artificial light, changes to a beautiful pink, whence its name.
Public-domain text, read in full here on John Shaqi.
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