The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
To the second class of blue and gray stone-ware with salt glaze belong
some of the best specimens of the art (Figs. 289 and 290). They date
from 1500 to 1620, after which came the decline. The Bavarian town of
Creussen made a peculiar stone-ware ornamented with colored reliefs. Of
this we have samples in the “Apostle” mugs, so called from the reliefs
surrounding them, and in a series of jugs with hunting scenes. These
belong to the seventeenth century.
The Böttcher stone-ware will be noticed under porcelain, to the
invention of which in Germany it was the first step.
PORCELAIN.
Böttcher.--His First Productions.--Meissen
Porcelain.--Decoration.--Best Days of Meissen.--Its
Decline.--Vienna.--Höchst.--Fürstenburg.--Höxter.--Frankenthal.
--Nymphenburg.--Berlin.--Holland.--Weesp.--Loosdrecht.--The
Hague.--Switzerland.--Zürich.--Nyon.
It will always be the distinguishing honor of Germany that the Saxon
Böttger, or Böttcher, was the discoverer, for Europe, of a true kaolinic
natural porcelain. The circumstances have already been detailed (see p.
52). While Böttcher was prosecuting his experiments in 1708, he had the
furnace filled with trial pieces, which were fired for several days
before a piece was withdrawn. A teapot was at length taken out and
thrown into cold water. It was not porcelain, however, but a red
stone-ware, very hard, and with a metallic ring when struck. It was
called “red porcelain,” probably to suit the wishes of the experimenter
and of his royal patron. A teapot of this ware has been sold in England
for sixteen pounds sterling. A very good example of it is now in the
possession of Mr. Davis Collamore, of New York (Fig. 291), who was
fortunate enough to pick it up in one of his European tours in quest of
rare “bits.” It is undecorated, and shows admirably the rusty red color
of Böttcher’s experimental stone-ware. Others of his early essays are
almost black in color and are painted in relief. Several pieces are in
the Metropolitan Museum.
[Illustration: Fig. 291.--Böttcher Stone-ware. (D. Collamore.)]
[Illustration: Fig. 292.--Meissen Porcelain. Blue Festoon, Pink Rosette.
1709-1726. (F. Robinson Coll.)]
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