The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
+--------------------------------------------------------------------------+
| Pastes. |Silica.|Alumina.| Oxide |Lime.|Magnesia.|Potash.|Soda.|
| | | |of Iron.| | | | |
|--------------------------------------------------------------------------|
|China, 1st quality|69.00 |23.60 |1.20 |0.30 |0.02 |3.30 |2.90 |
|China, 2d quality |70.00 |22.20 |1.30 |0.80 |traces |3.60 |2.70 |
|China, 3d quality |73.80 |19.30 |2.00 |0.60 |traces |2.50 |2.30 |
|China, 4th quality|68.94 |21.30 |3.48 |1.14 |traces |3.42 |1.78 |
|Meissen |58.50 |35.10 |0.80 |0.30 |traces |5.00 |.... |
|Vienna |59.60 |34.20 |0.80 |1.70 |1.40 |2.00 |.... |
|Berlin |64.30 |29.00 |0.60 |0.30 |0.45 |3.65 |.... |
|Limoges |70.20 |24.00 |0.70 |0.70 |0.10 |4.30 |.... |
|Sèvres |58.00 |34.50 |.... |4.50 |.... |3.00 |.... |
|Sèvres (sculpture)|64.10 |30.24 |.... |2.82 |traces |2.80 |.... |
|Worcester |82.00 |9.10 |..... |1.30 |7.40 |.... |.... |
|Paris |71.20 |22.00 |0.80 |0.80 |.... |4.50 |.... |
+--------------------------------------------------------------------------+
The English artificial porcelain differs from the natural paste of China
and the European continent chiefly in one particular. At first the
compound used was white clay, white sand, and glass, the latter being
employed to impart the necessary transparency. More recently bone came
largely into use, and is now one of the distinctive ingredients of
English paste. The phosphoric acid of that material was found to
produce, in combination with the other materials, a clear, translucent
body, of less strength than natural paste, but less liable to sink. The
following may be taken as the mean composition: Bone, 47; kaolin, 34;
felspar, 19. The kaolin is found in Cornwall, where a very large tract
is formed chiefly of decomposed granite. The purest rock having been
selected, it is placed on an inclined plane, upon which water can be
turned. It is washed down into a trench, and thence into a catch-pit,
and again into lower pits, in which successively the impure ingredients
are retained, the water laden with the finer particles running into
tanks, and there depositing its fine silt. The clay is partially dried,
and cut into blocks, and in that shape reaches the potters. The manner
in which the kaolin is prepared bears a very close resemblance to that
adopted by the Chinese, as previously described. The glaze is composed
of felspar, carbonate of lime, borax, and white-lead. Sometimes the
kaolin is mixed with the bone and felspar in the proportions above
specified, and sometimes the bone is made, in combination with silex and
pearlash, into a frit.
Public-domain text, read in full here on John Shaqi.
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