The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Fore Street._--A manufactory of various kinds of pottery existed
here in the beginning of the present century, and was carried on by
Mr. Richard Waters, who in June, 1811, took out a patent for “a new
method of manufacturing pottery ware.” First, “in the fabrication of
various articles of considerable magnitude,” “instead of throwing or
moulding them on a revolving table, the clay is made into sheets and
then applied upon moulds and finished, by beating or pressure, or by
turning while in a revolving state;” second, forming “delf-ware pots
and other articles by compression of the clay between suitable moulds;”
third, “making or clouding the ‘Welsh ware,’ by using a number of pipes
instead of one in distributing the colour;” fourth, “making earthenware
jambs, tiles for facing houses, and for paving hearths, balustrades,
balconies, and bricks vein-coloured, variegated either by the last
process or by putting together masses differing from each other,” and
in the admixture of stony or metallic or other mineral substances, so
as to differ in their colours and appearance when baked; fifth, by this
process making “figures, statues, ornaments, armorial bearings, and
the like;” sixth, by this process making “stone mortars and pestles,
cisterns, coffins, worms for distillers’ use, tiles, with a hook on the
back instead of a knob, also with a higher edge and deeper return than
usual.”
_Imperial Pottery._--Another pottery at Lambeth was that of
Messrs. Green & Co., which in 1858 passed, by purchase, into the hands
of Mr. John Cliff, by whom it was considerably enlarged. Mr. Cliff here
brought into use his own “patent kiln for what is known as double glaze
or Bristol glaze kiln, and a circular bag for the salt glaze and pipe
kiln, since adopted generally.” Here also Carr’s “Disintegrant” was
first proved and got to work; and here, under his own eye, Siemens’s
gas furnace was tried on pottery. Here also Mr. Cliff brought out,
and into work, his patent wheel and patent lathe--two most important
improvements in the potter’s art, and said to be the most perfect and
convenient machines extant. The works were closed in 1869, through
the site being required by the Metropolitan Board of Works for
improvements, and Mr. Cliff removed to Runcorn, in Cheshire, where
he still continues his manufactory.[55] The works were originally
established for the manufacture of common red ware; but after a time
Mr. Green added a little salt-glazed ware; and then, as the double
glazed gained favour, added it, and made it his principal business,
giving up the red ware entirely. Later still, he manufactured drain
pipes and a good deal of chemical stoneware; and, besides all the usual
articles, filters were here extensively made for the celebrated George
Robins, the auctioneer. The old works were many times much injured by
fire--being nearly destroyed just before passing into Mr. Cliff’s hands
in 1858.
[Illustration: Figs. 359 to 363.--Blanchard’s Terra Cotta, &c.]
Public-domain text, read in full here on John Shaqi.
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