The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Of the general high character for design and workmanship of the
productions of Mr. Blanchard--who ranks among the best in the
kingdom--the objects here engraved will give abundant testimony; and it
only remains to add that the quality of the material and its durability
are fully equalled by the excellence of design of the various articles
produced by this firm.
VAUXHALL.
Thomas Houghton, to whom I have in other parts of this work referred,
in his “Husbandry and Trade Improved,” writing on March 13, 1695–6,
says, speaking of the imports during the year 1694, “of teapots there
came but ten, and those from Holland. To our credit be it spoken, we
have about Faux-Hall (as I have been informed) made a great many,
and I cannot gainsay but they are as good as any come from abroad.”
In 1714 Thoresby writes that he “went by water to Fox-Hall and the
Spring-gardens. After dinner we viewed the pottery and various
apartments there. Was most pleased with that where they were painting
divers colours, which yet appear more beautiful and of divers colours
when baked.” The Vauxhall Pottery is said to have been situated close
by Vauxhall Bridge, in High Street. The Delft-ware Pottery in Princess
Street, Lambeth, is said to have belonged to the same works. The
Vauxhall Pottery, which was for the production of stoneware similar to
that at Lambeth, was carried on towards the close of last century by
a Mr. Wagstaffe; and on his death, in or about 1803, it passed into
the hands of his nephew, Mr. John Wisker, who carried it on until
his decease in 1838, he having, in 1833, taken out a patent “for
certain improvements in machinery or apparatus for grinding covers or
stoppers for jars, bottles, and other vessels made of china, stone,
or other earthenware,” such as are described in the patent of Robert
Burton Cooper taken out in 1831. On the death of Mr. Wisker, the works
were purchased of his executors by Mr. Alfred Singer, but have been
discontinued and pulled down; and the site built over, for some years.
At these works Mr. Singer, in conjunction with Mr. Henry Pether,
manufactured small tiles, or tesseræ, for tesselated pavements. In 1839
they took out a patent “for certain improvements in the preparation
and combination of earthenware or porcelain, for the purpose of
mosaic or tesselated work” “by cutting clay or other plastic material
into rectilinear figures, by means of intersecting wires stretched
in a frame,” and “the forming of ornamental slabs of mosaic work by
cementing together small pieces of porcelain or earthenware, of various
figures and colours, on slabs of slate, stone, or other suitable
material.”
There was another pottery at Vauxhall, where coarse red or brown ware
was made, and where also, later on, a fine stoneware was produced.
There was also a manufactory of white stoneware carried on, in 1811, by
a Mr. Joseph Kishire.
ALDGATE.
Public-domain text, read in full here on John Shaqi.
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