The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
history, as fresh facts are brought to light in the course of my own
investigations or of those of others interested in the matter.
It is better to state at the outset that the history of the Chelsea
China Works is very obscure. In fact, a London fog, such as is
proverbial in the month in which I write (November), seems to have
closed around, and enveloped the place in such a dense mass as to make
it next to invisible. A little of this cloud of mist I have already
removed, and I trust that in the course of future researches I may
be able to almost entirely dispel it. At all events, every item of
information is valuable, and in the following narrative a vast deal of
new matter will be found, which will materially assist the collector in
understanding the history of these, the most celebrated of any of the
old china manufactories of the United Kingdom.
The south-western district of London, on both sides of the water, has,
as I have already shown, for a long period, been the seat of fictile
manufactories of an extensive and important character. Fulham, Chelsea,
Battersea, Vauxhall, Pedler’s Acre, Lambeth--all had their potteries
at an early date, and all, probably, had their origin from one common
source. What that first source was--_i.e._, where the first pottery
was founded--is, of course difficult to say, but from it others sprung
up, in different directions, until quite a nest of manufactories was
located in the suburban districts. The artisans of the seventeenth
century were chiefly Dutchmen; indeed, the manufacture was of that
kind of ware known as “Delft-ware”--originally made in Holland, and
introduced into England by workmen from thence. The importation of
“Delft-ware” in this (seventeenth) century was considerable, and at
that period the manufacture of a kind of porcelain is said to have been
achieved at Delft.
I have shown on another page that large quantities of ware were
imported into England from Holland in the seventeenth century, and that
Dutch workmen of skill and enterprise were induced, from the prospect
of a good home trade here, to settle in England. These workmen, it is
not too much to believe, were acquainted with the art of manufacturing
porcelain as produced in Delft, as well as the ordinary kind of ware
made in their native country; and thus the knowledge was brought into
our kingdom, and carried on, to some little extent, by those who
settled here. The first maker of china, as I have shown in my account
of the Fulham Works, was Mr. Dwight, and to him I am inclined to award
the honour of being the father of the Chelsea China Works, about whose
origin so little is known. The probability is that after Dwight had
succeeded in making porcelain, and abandoned it, some other potter
started the works at Chelsea, and with good result.
Public-domain text, read in full here on John Shaqi.
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