The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
About this time Dr. Johnson was busying himself in experimentalising
in compositions for the manufacture of porcelain, and an interesting
account of his progress at Chelsea, as given from the lips of the
foreman of the works, is preserved by Faulkener. He says, in his
“History of Chelsea:”--
“Mr. H. Stephens was told by the foreman of the Chelsea China
Manufactory (then in the workhouse of St. Luke’s, Middlesex),
that Dr. Johnson had conceived a notion that he was capable of
improving on the manufacture. He even applied to the directors
of the Chelsea China Works, and was allowed to bake his
compositions in their ovens in Lawrence Street, Chelsea. He was
accordingly accustomed to go down with his housekeeper about
twice a week, and stayed the whole day, she carrying a basket of
provisions with her. The Doctor, who was not allowed to enter
the mixing-room, had access to every other part of the house,
and formed his composition in a particular apartment, without
being overlooked by anyone. He had also free access to the oven,
and superintended the whole process, but completely failed, both
as to composition and baking, for his materials always yielded
to the intensity of the heat, while those of the Company came
out of the furnace perfect and complete. The Doctor retired
in disgust, though not in despair, for he afterwards gave a
dissertation on this very subject in his works; but the overseer
(he was still living in the spring of 1814) assured Mr. Stephens
that he (the overseer) was still ignorant of the nature of the
operation. He seemed to think that the Doctor imagined one
single substance was sufficient, while he, on the other hand,
asserted that he always used sixteen; and he must have had some
practice, as he had nearly lost his eyesight by firing batches
of china, both at Chelsea and at Derby, to which the manufacture
was afterwards carried.”
Dr. Johnson certainly took much interest in the manufacture of
porcelain, and after the discontinuance of the Chelsea works visited
those at Derby. He does not, however, seem to have carried his
researches on to any practical result.
In 1769 Mr. William Duesbury, the proprietor of the famous Derby China
Works, became the purchaser of the Chelsea works, and for many years
carried on the two establishments conjointly. The Derby works had at
that time attained to a high degree of excellence and of celebrity,
and Mr. Duesbury (who became the purchaser, not only of the Chelsea
works, but those of Bow, Giles’s, Pedlar’s Acre, &c.) was doing more
trade than was done at any other establishment in the kingdom. He had
opened an extensive connection with London, and was rapidly increasing
his concern, both in that and other markets, and had become more than a
successful rivaller of the excellence of the Chelsea wares.
Public-domain text, read in full here on John Shaqi.
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