The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Mortlocks_; Oxford Street.--This house was established in 1746, by
John Mortlock, and has been uninterruptedly continued since that date
through five generations, in direct line, of the same family; its head
at the present time being, as it was more than one hundred and fifty
years ago, a John Mortlock. In the palmy days of the old Rockingham
works, John Mortlock was London agent for the goods made there. One
speciality of these works, the “Cadogan” teapot, formed on the model
of an example of Indian green ware brought from abroad by the Marquess
and Marchioness of Rockingham, or the Hon. Mrs. Cadogan, was the means
of adding largely to his connection with these works. The first of
these was made for the Marchioness of Rockingham; and when the Prince
Regent, afterwards George IV., visited Wentworth House, the seat
of Earl Fitzwilliam, these teapots were then in use, and were much
admired; the prince, who was a great connoisseur in tea, I believe,
bringing one of them away with him. On the return of the prince and
his suite to town, inquiries were made for them of John Mortlock, who
supplied the palace with china, &c. He at once saw that they would come
into great repute, and ordered a large quantity, stipulating that his
name, MORTLOCK, should be stamped upon them. This was done in place of
the word ROCKINGHAM, and they thus passed as Mortlock’s own make; he
ordered at one time as much as £900 worth for one season’s consumption.
(See “Rockingham Works.”)
When the Nantgarw works were first started, Mr. Mortlock became a large
purchaser as well as agent. He regularly took a large quantity of the
ware in the white; this he had painted in London, by Webster, Randall,
and various other artists, and fired at the enamel kiln of Messrs.
Robins and Randall, in Spa Fields. At this time Mortlock was also agent
to the Coalport and Swansea works; and Mr. Nore, of Coalport, feeling
a jealousy, and finding that the sale of the Swansea and Nantgarw
productions interfered with his own, bought up those two concerns,
removed their models, &c., to Coalport, and closed them. The firm
still retain an agency for Coalport, and also for Messrs. Minton & Co.
Mr. Mortlock has special marks for some of the Coalport productions
prepared from his designs.
HOXTON.
In 1693 there was “a famous brick-moulder at Hoxton.” Some very
interesting particulars are given by Houghton, in his “Husbandry and
Trade Improved,” 1693.
HAMMERSMITH.
Houghton, in 1693, thus alludes to the brick works at this place:
“Some can make fourteen or 15,000 in a day, some 18,000; but _Nicholas
Gooding_, of _Hammersmith_, for a wager of 10_l._, made in one day
22,000 bricks, upon which _Sir Nicholas Crisp_ assisted him to set
up, and he is now living at _Hammersmith_, and worth several thousand
pounds. His master’s name was _Gosling_, who had three men whom he
often encouraged to wagers.”
CHAPTER VIII.
Public-domain text, read in full here on John Shaqi.
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