The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The “faithful city” was indebted for the establishment of its pottery
to the exertions and scientific researches of Dr. John Wall, a
physician of that city. The learned doctor was born at Powick, a
village in Worcestershire, in the year 1708. His father was a tradesman
in Worcester, of which city he served the office of mayor in 1703;
he was descended from a good family in Herefordshire. Dr. Wall’s
father dying while he was young, he was educated at the King’s School,
Worcester, and in 1726 became a scholar at Worcester College, Oxford.
Nine years later, at the age of twenty-seven, he became a fellow of
Merton College. Having studied at Oxford and at St. Thomas’s Hospital,
he in 1739 took his degree, and commenced practice in Worcester. He
married Catherine Sandys, cousin to the first Lord Sandys. Dr. Wall,
besides being a clever practitioner and an excellent chemist, was also
an artist of great ability; he painted historical pictures with great
judgment, and his conceptions were sometimes marked with considerable
originality and grandeur. One of his principal pictures is that of the
founder, &c., in the hall of Merton College, Oxford--a painting[72]
he presented to that college in 1765. Of his other works, his “Brutus
condemning his Sons,” “The Head of Pompey brought to Cæsar” (now at
Hagley), “Regulus returning to Carthage,” “Queen Eleanor sucking the
Poison from the Arm of Edward I.,” “Elijah fed by the Ravens,” “Moses
striking the Rock,” “The School of Physic,” “The Shunamite’s Child
restored,” and “The Head of St. John the Baptist,” are among the
best. He also etched some remarkably clever plates, and designed the
stained-glass window in the bishop’s private chapel at Hartlebury, the
“Presentation of Christ in the Temple,” a window at Oriel College,
and others. Dr. Wall was also the author of several medical works,
and was eminently instrumental in bringing the Malvern waters into
public notice. He was also one of the most zealous supporters of the
Worcestershire Infirmary.
Dr. Wall, besides his other accomplishments, was, as has already been
intimated, an excellent practical chemist; his laboratory was at
No. 33, Broad Street. He turned his attention more particularly to
experimentalising on materials which might be used for the manufacture
of porcelain; and in 1751, about a year after the establishment of the
works at Derby, and while those at Chelsea and Bow were being carried
on, he brought his experiments to a successful issue; the result being
the discovery of a body of surpassing excellence.
Public-domain text, read in full here on John Shaqi.
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