The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
established 1761,” in five lines; above are the royal arms, and
beneath are the Prince of Wales’s feathers, the whole within a circle;
surrounding the circle is, “Manufacturers to their Majesties and the
Prince Regent; London Warehouse, No. 1, Coventry Street.”
In 1786, Robert Chamberlain, who was the first apprentice to the old
Worcester Porcelain Company, and who had continued with the different
proprietors up to that period, commenced business for himself in
premises at Diglis--the same which are now carried on by the Royal
Worcester Porcelain Company. Chamberlain was a painter, and on the
first establishment of his business bought his porcelain from the
Caughley works (Coalbrookdale) and painted it at Worcester. In a
very short time, however, he made his own, and his works soon grew
into public favour and eminence. His son was an excellent artist,
and a portrait of the Princess Charlotte, which he painted, is said
to have given the highest satisfaction to Prince Leopold and others.
The mark adopted by Chamberlain was simply his name in writing, thus,
“_Chamberlain’s_,” or “Chamberlains completes the sentence. Worcester”. Afterwards the
following marks were used:--
[Illustration:
_Chamberlain’s,
Worcester,
& 63, Piccadilly,
London._
_Chamberlain’s
Regent China,
Worcester,
& 155,
New Bond Street,
London._
_Chamberlain’s,
Worcester,
& 155,
New Bond Street,
London.
Royal Porcelain Manufactory._
CHAMBERLAINS.
_Chamberlain & Co., Worcester._
CHAMBERLAIN & CO.,
WORCESTER,
155, NEW BOND STREET,
& NO. 1,
COVENTRY ST.,
LONDON.
Figs. 527 to 536.]
As a companion picture to the fac-simile of Dr. Wall’s works I give
views of those of Chamberlain’s (Fig. 537), and, later, of Flight and
Barr’s, the latter copied from an engraving transferred to porcelain.
From these the extensive character of the place will be seen. It
has, however, been much increased since the amalgamation of the two
establishments, and within the last few years has been almost entirely
rebuilt by the present proprietors.
[Illustration: Fig. 537.--Chamberlain’s Worcester Porcelain
Works.]
Public-domain text, read in full here on John Shaqi.
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