The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
and it is worthy of remark that, on some examples of plates bearing
this impressed mark, the blue printed S also appears; as, on others,
does also the crescent. Others, probably merely workmen’s marks, are
[Illustration: Figs. 609 and 610.]
The subject of _printing_ upon porcelain, to which I have already
alluded under “Worcester,” is one so intimately and intricately
connected with the Caughley and Coalport works, that it will be
necessary to consider the period of its introduction at some length.
I have already shown that transfer-printing was used as early as 1757
on Worcester porcelain (p. 229, _ante_); and I have little doubt that
quite as early, if not a few years before that period, it was practised
at Caughley. Indeed, in the early years of the manufactory, the two
works, Caughley and Worcester, seem to have been closely connected,
and to have worked “in and in,” if I may be allowed the use of so
unscientific an expression, and I believe, with ample reason, that a
great proportion of the printed goods bearing the Worcester mark were
printed at Caughley. Indeed, it is known that the ware was sent up
from Worcester by barge to be printed at Caughley, and returned, when
finished, by the same mode of conveyance. I have closely examined the
style of engraving and the patterns of a large number of examples, and
I am clearly of opinion that they are the work of the same hands.
I do not, by this, claim for Caughley the honour of _inventing_ the art
of transfer-printing on to porcelain; but I feel assured that that art
must have been there practised at quite as early a period as the dated
example of Worcester make; and I am led to this belief partly from the
fact that the Robert Hancock whose beautiful productions I have before
spoken of, and to whom the engraving of the dated example is ascribed,
also engraved for the Caughley works. And I have an impression of a
plate, of an identical pattern with the famous tea group, which bears
his monogram on the Worcester specimens, on which his name, _R. Hancock
fecit_, occurs in full at Caughley. Collectors, therefore, in a case of
this kind, must not be too hasty in ascribing, from appearance _alone_,
examples to either one or the other make, but must be guided, in a
great measure, by the _body_ on which the engraving occurs.
Public-domain text, read in full here on John Shaqi.
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