The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
A pipe-maker, named Noah Roden, brought the long pipes to great
perfection, and supplied most of the London clubs and coffee-houses
of that day; he died about 1829, and his business was carried on by
the late William Southorn, who made great strides in improving the
manufacture, and whose eldest son is now carrying on the famed business
of maker of the patent and genuine “Real Broseleys.”
About the middle of last century, and since, the Rodens were famous
makers of pipes at Broseley, and to them is due the introduction of
“churchwardens” and “London straws,” and they were succeeded in the
early part of this century by Mr. Southorn, father of the present
well-known maker, Mr. Edwin Southorn. The works at present carried on
by Mr. Edwin Southorn were established about 1830 by Noah Roden. In
1856 they passed into the hands of Mr. Southorn, and from that time
forward their progress has been of marked improvement in every branch
of the manufacture. In 1860 Mr. Southorn introduced the process of
transfer printing upon pipes, the same as practised in other branches
of ceramics. By this means the crests or armorial bearings, names,
mottoes, or monograms of his patrons, trade marks or initials of firms,
and signs and names of hotels and inns are produced, as are also other
devices in colours. In 1868 Mr. Southorn introduced steam-power into
his manufactory, and has rendered it available to all parts of his
works; he is thus enabled to produce an enormous quantity, counting
at the present time about 10,500 gross or 1,500,000 pipes in the
course of a year. The “Broseleys” thus, not only in quantity but in
quality--for they are the finest produced both in form, in quality of
clay, in beauty of surface, and in manipulation of any made--surpass
all others. In 1851, Mr. Southorn received honourable mention as
“superior tobacco-pipes” at the Exhibition in that year. Mr. Southorn
has also introduced the plan of dipping, or “tipping,” his pipes at the
mouth-piece with green or any other coloured glaze, which is one of the
most marked improvements of modern days.
Public-domain text, read in full here on John Shaqi.
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