The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“Now know ye that I, the said William Cookworthy, in pursuance
of the said recited provisoe, do, by this my Deed in writing,
declare and make known the nature of my said invention, and
the quality of the materials, and manner in which the same is
performed, which is as followeth (that is to say):--
“The materials of which the body of the said porcellain is
composed are a stone and earth, or clay. The stone is known in
the countys of Devon and Cornwall by the names of Moor-stone and
Growan, which stones are generally composed of grains of stone
or gravel of a white or whitish colour, with a mixture of talky
shining particles. This gravel and these talky particles are
cemented together by a petrified clay into very solid rocks, and
immense quantities of them are found in both the above-mentioned
countys. All these stones, exposed to a violent fire, melt
without the addition of fluxes into a semi-transparent glass,
differing in clearness and beauty according to the purity of
the stone. The earth, or clay, for the most part lies in the
valleys where the stone forms the hills. This earth is very
frequently very white, tho’ sometimes of a yellowish or cream
colour. It generally arises with a large mixture of talky micæ,
or spangles, and a semi-transparent or whitish gravel. Some
sorts have little of the micæ, or spangles, but the best clay
for making porcellain always abounds in micæ, or spangles. The
stone is prepared by levigation in a potter’s mill, in water in
the usual manner, to a very fine powder. The clay is prepared
by diluting it with water untill the mixture is rendered
sufficiently thin for the gravell and micæ to subside; the
white water containing the clay is then poured, or left to run
off from the subsided micæ and gravell into proper vessells or
reservoirs; and after it has settled a day or two, the clear
water above it is to be then poured or drawn off, and the clay,
or earth, reduced to a proper consistence by the common methods
of exposing it to the sun and air, or laying it on chalk. This
earth, or clay, gives the ware its whiteness and infusibility,
as the stone doth its transparency and mellowness: they are
therefore to be mix’d in different proportions, as the ware is
intended to be more or less transparent; and the mixture is
to be performed in the method used by potters, and well known
(viz., by diluting the materials in water, passing the mixture
through a fine sieve, and reducing it to a paste of a proper
consistence for working in the way directed for the preparation
of the clay). This paste is to be form’d into vessells, and
these vessells, when biscuited, are to be dipp’d in the glaze,
which is prepared of the levigated stone, with the addition of
lime and fern-ashes, or an earth called magnesia alba, in such
quantity as may make it properly fusible and transparent when it
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