The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Neither of which clays or slips must have any sand or gravel
in them. Upon this account, before it be brought to the wheel,
they prepare the clay by steeping it in water in a square pit
till it be of a due consistence; then they bring it to their
beating board, where, with a long _Spatula_, they beat it till
it be well mixt; then, being first made into great _squarish_
rolls, it is brought to the _wageing board_, where it is slit
into thin flat pieces with a _wire_, and the least stones or
gravel pick’t out of it. This being done, they _wage_ it, _i.e._
knead or mould it like _bread_, and make it into round _balls_
proportionable to their work; and then ’tis brought to the
wheel, and formed as the workman sees good.
“27. When the potter has wrought the clay either into hollow or
flat ware, they set it abroad to dry in faire weather, but by
the fire in foule; turning them as they see occasion, which they
call _whaving_. When they are dry they _stouk_ them, _i.e._ put
ears and handles to such vessels as require them. These also
being dry, they _slip_ or _paint_ them, with their severall
sorts of slip, according as they designe their work; when the
first slip is dry, laying on the others at their leisure, the
_orange slip_ makeing the ground, and the _white_ and _red_
the paint; which two colours they break with a _wire brush_,
much after the manner they doe when they _marble_ paper, and
then _cloud_ them with a _pencil_ when they are pretty dry.
After the vessels are painted they _lead_ them with that sort
of _Lead Ore_ they call _Smithum_, which is the smallest _ore_
of all, beaten into dust, finely sifted, and strewed upon them;
which gives them the _gloss_, but not the colour; all the
colours being chiefly given by the variety of slips, except the
_motley colour_, which is procured by blending the _Lead_ with
_Manganese_, by the workmen call’d _Magnus_. But when they have
a mind to shew the utmost of their skill in giving their wares
a fairer gloss than ordinary, they lead them then with lead
calcined into powder, which they also sift fine and strew upon
them as before, which not only gives them a higher gloss, but
goes much further too in their work than the lead ore would have
done.
Public-domain text, read in full here on John Shaqi.
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