The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1733 (April 24th) Ralph Shawe, potter, of Burslem, who, like many
other potters of the district, had long adopted the improvements of Mr.
Astbury and others, took out a patent for employing “various sorts of
mineral, earth, clay, and other earthy substances, which, being mixt
and incorporated together, make up a fine body, of which a curious ware
may be made, whose outside will be of a true chocolate colour, striped
with white, and the inside white, much resembling the brown China ware,
and glazed with salt.” The _secret_ was merely _washing_ the
inside, and forming broad lines on the outside of the articles with
a very thick slip of flint and pipeclay. “To keep his process more
secluded and secret, he was accustomed to evaporate his mixed clays on
a long trough, in a place locked up under cover, beneath which were
flues, for the heat from fire applied on the outside. This also kept
the clay free from any kind of dirt; and the idea is supposed to have
been gained from the tile-makers’ method of drying their tiles in
stoves. A pair of flower-pots, excellent specimens of this person’s
manufacture, which had been received as a present from the maker by
his wife’s grandfather, were in the author’s possession till very
recently. Mr. Shawe became so litigious and overbearing, that many of
the manufacturers were extremely uncomfortable, and prevented improving
their productions. Not content with the success he experienced, and
the prospect of speedily acquiring affluence, his excessive vanity
and insatiable avarice incited to proceedings that terminated in his
ruin. Unwilling to admit the customary practices of the business, and
to brook any appearance of competition, he was constantly objecting
to every trifling improvement as an infringement of his patent,
and threatening his neighbours with suits in equity to protect his
_sole_ rights; till at length self-defence urged them to bear the
expenses of a suit he had commenced against J. Mitchell, to try the
validity of the patent, at Stafford, in 1736; and very aged persons,
whose parents were present, give the general facts of the trial:--All
the manufacturers being interested in the decision, those most
respectable were in the court. Witnesses proved Astbury’s invention and
prior usage of the practice, and a special jury of great intelligence
and wealth gave a verdict against Mr. Shawe. The learned judge, after
nullifying the patent, thus addressed the audience--“Go home, potters,
and make whatever kinds of pots you please.” The hall re-echoed with
acclamations, and the strongest ebullitions of satisfaction from the
potters, to the indescribable mortification of Mr. Shawe and his
family, who afterwards went to France, where he carried forward his
manufactory, whence some of his family returned to Burslem about 1750.”
This event is thus characteristically spoken of in native tongue, in
the “Burslem Dialogue,” by Mr. Ward:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account