The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
that if we, the said Edward Heylyn and Thomas Frye, should not
particularly describe and ascertain the nature of our said
Invention, and in what manner and of what materials the same was
to be performed, by an instrument in writing, under our hands
and seals, or the hand and seal of one of us, and cause the same
to be inrolled in His Majesty’s High Court of Chancery, within
four calendar months after the date of the said recited Letters
Patent; that then the said Letters Patent, and the libertys and
advantages thereby granted, should cease and be void, as in and
by the same Letters Patent (relation being thereunto had) may
more at large appear.
“NOW KNOW YE, that we, the said Edward Heylyn and Thomas Frye,
in pursuance of the said provisoe, contained in the said recited
Letters Patent, do hereby describe and ascertain the nature of
our said Invention, and the manner and of what material the same
is to be performed, as hereinafter is mentioned (that is to
say):--
“The material is an earth, the produce of the Chirokee nation in
America, called by the natives unaker, the propertys of which
are as follows, videlicet, to be very fixed, strongly resisting
fire and menstrua, is extreamly white, tenacious, and glittering
with mica. The manner of manufacturing the said material is as
follows:--Take unaker, and by washing seperate the sand and mica
from it, which is of no use; take pott ash, fern ash, pearl
ash, kelp, or any other vegetable lixiviall salt, one part of
sands, flints, pebbles, or any other stones of the vitryfying
kind; one other part of these two principles form a glass in
the usual manner of making glass, which when formed reduce to
an impalpable powder. Then mix to one part of this powder two
parts of the washed unaker, let them be well worked together
until intimately mixed for one sort of ware; but you may vary
the proportions of the unaker and the glass; videlicet, for some
parts of porcelain you may use one half unaker and the other
half glass, and so in different proportions, till you come to
four unaker and one glass; after which knead it well together,
and throw it on the wheel, cast it into moulds, or imprint it
into utensils, ornaments, &c.; those vessells, ornaments, &c.,
that are thrown, should be afterwards turned on a lathe and
burnished, it will then be in a situation to be put into the
kiln and burned with wood, care being taken not to discolour
the ware, otherwise the process will be much hurt. This first
burning is called biscuiting, which, if it comes out very white,
is ready to be painted blue, with lapis lazuli, lapis armenis,
or zapher, which must be highly calcined and ground very fine.
It is then to be dipt into the following glaze:--Take unaker
forty pounds, of the above glass ten pounds, mix and calcine
them in a reverberatory; then reduce, and to each pound when
Public-domain text, read in full here on John Shaqi.
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