The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The next patent taken out was in 1762, by “William White, of Fulham,
in the county of Middlesex, potter,” for making white crucibles or
melting-pots of Stourbridge clay and Dorsetshire clay, calcined, mixed
with Woolwich sand, and water, and trodden together, and burned.
Two years later, James Williamson and Joseph Spackman patented “a
new method of turning ovals in pewter, English china, and all other
earthenwares,” on a lathe with movable chucks and sliding ring, of
their inventing. In 1766, “the Count de Lauraguais, of London,” having,
“by his petition, humbly represented unto us, that by labour, study,
travelling, and expence in trying experiments, he hath found out and
invented ‘a new method of making porcelain ware in all its different
branches, viz.--to make the coarser species of china, the more
beautiful of the Indies, and the finest of Japan, in a manner different
from any that is made in our dominions, and he, having the materials
tryed in Great Britain, has brought the same to so great perfection
that the porcelain made therewith after his new method far excells
any that has hitherto been made in Great Britain, the same not being
fusible by fire, as all other china made there is,’” took out a patent
for fourteen years, but no specification seems to have been enrolled.
During all this time the pottery district of Staffordshire was rapidly
increasing, and important strides were being made by its manufacturers
in the improvement of their art. In various parts of the country, too,
old pot works continued their business in an improved state, and new
ones sprang up in every direction. The history of the art, therefore,
becomes that of the various works which I shall have to pass under
review. The patents taken out from this period to the close of the
century are some guide to this state of progress, but not much; for it
is an undoubted fact, that many of the most important improvements and
most reliable inventions were never patented at all, while others,
which were the gradual result of daily practice, were not sufficiently
“inventions” to entitle them to patent right.
In 1768 William Cookworthy, of Plymouth, took out a patent for his
newly invented porcelain, which was renewed in 1775 to Richard
Champion; to these reference will be made under the heads of “Plymouth”
and “Bristol.”
In 1769 Josiah Wedgwood took out his only patent; it was for
decorative, not manufacturing, processes, and will be spoken of more
fully in the notice of Etruria.
In 1782 James Crease patented some inventions in the making of sanitary
vessels; and in the two following years “Joseph Cartledge, of Blackley,
in the county of York, Doctor of Physic,” enrolled his specification
for “a method of glazing earthenware.” This interesting document is as
follows:--
Public-domain text, read in full here on John Shaqi.
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