The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The next patent, in 1785, was by Thomas De-la-Mayne, for “making
buttons of burnt earth or porcelain;” and the next, in 1786, by John
Skidmore, for ornamenting various articles and “all sorts of china and
earthenware with foil stones, Bristol stones, paste, and all sorts
of pinched glass, lapped glass, and every other stone, glass, and
composition used in or applicable to the jewellery trade,” in ways
therein described. In 1789 an improvement in the form and construction
of “soup ladles, tureens, gravy spoons, ladles, and skimmers,” was
patented by John Baynes; and in 1790, Johanna Hempel patented newly
invented filters. In 1796, James Keeling patented improvements in
decorative and glazing processes; and in the same year, in conjunction
with Valentine Close, an improved mode of constructing “ovens, kilns,
and firing-places, so as to make and cause a very great saving of coals
and fuel in and about the firing, hardening, and baking all manner of
porcelain, china ware, and all manner of earthenwares, in every state
wherein firing is needful and necessary.”
In the same year, 1796, Ralph Wedgwood took out three separate patents.
The first of these was for a “new discovered and invented method of
making earthenware, whereby the article of earthenware may be made at
a less cost than hitherto, to the great advantage of the manufacturers
thereof, and of the public.” This consists “in casing over inferior
compositions with compositions commonly used for making cream-coloured
ware, white ware, or china.” “Thick bats or laminæ” of the inferior
are covered on each side with thin bats of the superior clay, and if
the edges of the ware are required to be cased, they are surrounded
“with a square piece commonly called a wad.” Afterwards the “bats”
are beat, pressed, or rolled out to the required dimensions, “as are
proper for the wares to be made from the same.” For moulding the wares
single moulds may be used, but double are preferred, of wood, or “wood
cased with plaster, of metal,” or any material capable of standing
much pressure. The press is such as is used for stamping buttons. The
glazing is applied dry to the bats; if the edges of the ware, after
moulding, are not properly covered with dry glaze, supply these parts
“with wet glaze, by means of a pencil;” afterwards stove and burn the
ware. The others were respectively for a new method of making glass
from old earthenware, china, &c.; and for “a new-invented stove,”
“calculated principally for the use of manufacturers of earthenware and
china.” On the same day on which this patent was dated, one was also
granted to John Pepper, for a new construction of kilns or ovens for
the same purpose. In 1799 Messrs. William and John Turner patented “a
new method or methods of manufacturing porcelain or earthenware, by the
introduction of a material not heretofore used in the manufacturing of
those articles;” the material being “Tabberner’s Mine rock,” “Little
Public-domain text, read in full here on John Shaqi.
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