The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Billingsley appears to have been paid from about £1 10_s._ to £2
per week at the Derby China Works, and several of his accounts
and receipts are in my possession. In one of these (September
23rd, 1793), the balance due to him being £34 7_s._ 2_d._, he
asks for “a draft on London for £30 at twenty-one days’ date,”
on account, as usual, and acknowledges to having “lost some
little time, which in some degree differs from our agreement,
but it has been a matter of necessity, not choice;” and states
that as he shall “in the course of a fortnight quit the public
business,”--he at this time, as I gather, being landlord of a
public-house (the “Nottingham Arms” in Bridgegate, Derby)--he
shall be able to make up the time so lost. Again, receipts in
1793–4–5, show that he was still at that time in Mr. Duesbury’s
employ in Derby. It may be well, before proceeding further,
to say that, from a curious draft of an order to the painters
employed at the Derby China Works, in my own possession, William
Billingsley’s number which he was supposed from that time (not
long before he left) to mark on such pieces as he painted was
7. The document is so curious, and will be so interesting to
collectors, that I give it entire. It is as follows, and is in
the second William Duesbury’s own handwriting:--
“Every Painter to mark underneath each Article he may finish,
the number corresponding to his name, and any other mark which
may be required, in such manner as he may be directed (viz.):--
Thos. Soar 1
Jos. Stables 2
Wm. Cooper 3
Wm. Yates 4
Jno. Yates 5
6
William Billingsley 7
Wm. Longdon 8
Wm. Smith 9
Jno. Blood 10
Wm. Taylor (except on blue and white) 11
Jno. Duesbury 12
Jos. Dodd 13
The Painter in fine blue, and in laying grounds to use for his
mark the like colours.
Ditto, in other colours Orange-red.
Ditto, in Gold Purple.
Public-domain text, read in full here on John Shaqi.
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