The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Thus in 1752 he got 7_s._ a week, and an earnest of 5_s._; and in
the following year he was raised to 7_s._ 6_d._ per week, with the
unusually high earnest of £1 11_s._ 6_d._ At this time he must have
been married, for in the same year, 1754, it appears the second Josiah
Spode was born. But little is known of the early life of this second
Josiah Spode; the probability, however, is that his father, after
leaving Whieldon’s service, commenced a small manufactory on his
own account, and that he learned the business with him. About 1770,
Spode (the son at that time being about sixteen years old) is stated
to have taken the works at Stoke, previously carried on by Messrs.
Turner, or Turner and Banks. He is said also to have introduced, about
1784, transfer printing into Stoke. Previous to this time Mr. William
Copeland, of London (a native of Stoke), who travelled in the tea
trade, made the acquaintance of Mr. Spode and offered to undertake
a commission to sell his tea ware and other goods to his customers.
The enterprise was very successful, and a warehouse was taken in Fore
Street, Cripplegate, London, for the general sale of Spode’s goods.
Trade increasing rapidly, Mr. Copeland, who became a partner with
Mr. Spode, afterwards, in 1779, purchased the property, 37, Lincoln’s
Inn Fields, and, at the back, in Portugal Street, opened an immense
depot for the sale of pottery goods, in the place where stood the
theatre (originally built by D’Avenant in 1662, and rebuilt by Rich
in 1714), famous as being the house in which Garrick first appeared;
the original Joe Miller flashed out his witticisms; and where the
_Recruiting Officer_, the _Beggars’ Opera_, &c., were first produced.
This establishment was managed by Mr. Copeland; the manufactory being
conducted entirely by Mr. Spode. Mr. Spode’s son, who was ultimately
taken into partnership with his father, was for a time in the London
house, but on the death of the latter, in 1797, he returned to Stoke,
and devoted himself to the manufactory. In 1800 Mr. Spode commenced
making porcelain in addition to earthenware, and was the first to
introduce felspar into its composition. In 1805 he introduced an opaque
porcelain, known as “ironstone china,” which he manufactured to a very
large extent, and exported in immense quantities to France and other
countries. In 1806 H.R.H. the Prince of Wales visited the works, and
Mr. Spode was appointed potter to him. The porcelain, the ironstone
china, and the ordinary earthenware manufactured at this time were of
the very highest character, both in body, in glaze, and in decoration;
indeed, in all three of these respects they rank with the best of the
period.
Public-domain text, read in full here on John Shaqi.
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