The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
M. Emile Jeannest was engaged as sculptor, and in 1854 he left and took
an appointment with Messrs. Elkington, in whose service he died.
M. Carrier de Belleuse succeeded M. Jeannest, and remained some
years, when he returned to Paris, and attained so high an eminence as
a sculptor that he has been placed on the Commission for the Sèvres
Manufactory.
He was succeeded by M. Protât, who, after having executed some of the
stone statues now adorning the India Office, returned to France.
Previous to this, Parian was, about 1842, introduced, and formed a
staple branch of Messrs. Minton’s productions. In 1851 Herbert Minton
and Augustus John Hoffstaedt took out a patent for “improvements in the
manufacture.” In the same year Herbert Minton and James Nasmyth took
out a patent for “certain improvements in machinery.” In the same year,
1851, the “Great Exhibition” was held, and resulted in an award of
great merit to this firm, an honour which each successive exhibition,
whether English or foreign, has augmented. In 1850 Majolica was added
to the other art-productions of this manufactory, and in this it
still stands pre-eminent. No firm has surpassed them in the sharpness
of details; the purity of colours; the excellence of glaze, or the
artistic character of these goods, which comprise every description of
both useful and ornamental articles. In 1851 Della Robbia and Palissy
ware were also here commenced.
[Illustration: Figs. 217 to 220.]
[Illustration: Figs. 221 to 223.--Minton’s productions.]
[Illustration: Figs. 224 to 229.--Minton’s productions.]
The history of the manufacture of encaustic and other tiles by Minton,
Hollins & Co. is the history of the entire modern trade in these
useful and beautiful articles. In 1828 Herbert Minton first turned
his attention to the subject, but was prevented by circumstances from
fully developing his plans. In 1830 Mr. Samuel Wright, of Shelton,
took out a patent for “a manufacture of ornamental tiles.” This, in
January 1844, he supplemented by another patent for the “manufacture of
ornamental bricks and quarries for floor pavements and other purposes.”
Mr. Wright’s experiments were highly satisfactory, but from various
causes, although he executed several orders, they were not commercially
successful. Becoming weary of his almost resultless experiments, he
sold his moulds and patent rights to Mr. Minton, who agreed to pay him
a royalty of 10 per cent. on all the tiles sold. Mr. Minton commenced
the manufacture in a single room next to the present throwing-house at
the earthenware works, and only three men were at first employed. He
was much aided in his task by the late Mr. George Leason, a practical
potter, who had been brought up under him.
[Illustration: Figs. 230 to 233.]
Public-domain text, read in full here on John Shaqi.
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