The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
mixed with so large a proportion of glass, which necessitated the
use of stronger oils to carry the colour; and this again caused the
colour, when of sufficient strength, to blister in the kiln. Mr. Minton
was not, however, discouraged; and, believing that the difficulties
would ultimately be overcome, he joined the experimenters in taking out
a patent for the process. The patent is dated the 14th March, 1848, and
is entitled “for improvements in ornamenting china, earthenware, and
glass.” The difficulties so early encountered were very long in being
overcome; months, and even years, of disappointment and loss followed,
and it was only after innumerable trials had shown what particular
oils and of what strength were required for different colours, that
the obstacles were finally surmounted, and the process established as
an additional and improved means of mechanical decoration. The process
was applied to the decoration of earthenware and china generally, both
useful and ornamental; but has proved to be more successful with flat
surfaces. It was at an early period applied to ornamenting glazed
tiles, and quickly supplanted the old and more expensive method of
ground-laying. Mr. Pugin was the earliest patron of these tiles, and
introduced them into the new palace of Westminster; the walls of the
smoke-room of the House of Commons being the first instance of their
use. Numerous specimens were shown at the Exhibition of 1851, and
again at Paris in 1855, on which occasion the inventor and manager
(Mr. Alfred Reynolds) obtained a first-class certificate. And here
it should be remarked that Messrs. Minton took every opportunity of
bringing before the Jury the merits of those in their employ, whom they
considered deserving of distinction for the service they had rendered
to them. There is now a very extensive trade done in these tiles, which
are very beautiful and every variety of design. They are applied to
wall decoration generally, also to hearths, the sides of fire-places,
the making of flower boxes, and to a variety of other useful and
ornamental purposes. In this improvement both beauty and cheapness are
combined. To speak of the merits of these, even briefly, would occupy
a chapter; it is sufficient to say that they are of every possible
variety of design--floral, geometrical, mythological, historical, and
otherwise,--and that the combinations of colours and the arrangement
of the patterns give them a brilliancy all their own. Later on the
partnership with Mr. Hollins terminated, and that gentleman continued
the manufacture of encaustic and other tiles. (See page 213.)
Public-domain text, read in full here on John Shaqi.
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