The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Harrison and Wedgwood._--John Harrison, of Newcastle, and afterwards
of Cliff Bank, Stoke, a man possessed of some means, but little taste,
entered into partnership with Josiah Wedgwood on the latter first
commencing business. He was not a practical potter, but was taken
into partnership by Wedgwood for the advance of capital. They carried
on the business at what was Mr. Aldersea’s pottery, at the top of
Stoke, opposite the works of Hugh Booth. Here, besides agate and other
knife-hafts, they made the ordinary kinds of wares then in demand, both
“scratched” and blue. In 1754 they entered into partnership with Thomas
Whieldon, and later on the works were, I believe, bought and pulled
down by Josiah Spode.
* * * * *
_Bankes._--Mr. R. Bankes and Mr. John Turner, in 1756, made white
stoneware on what, later, formed a part of Josiah Spode’s premises.
In 1762 Mr. Turner removed to Lane End, and about 1780 discovered a
valuable vein of clay at Green Dock; this he turned to profitable and
artistic use in the making of his fine and celebrated cane-coloured and
other wares.
* * * * *
_Aldersea._--John and Thomas Aldersea were makers of tortoiseshell,
clouded, and other wares.
* * * * *
_Hugh Booth_, of Cliff Bank, was one of the leading manufacturers of
the district. His productions were common cream-coloured, mottled, and,
I believe, lustre-wares. He died unmarried in June, 1789, aged 57, and
was succeeded by his brother, Ephraim.
* * * * *
_Ephraim Booth_ (an alderman of Plymouth), who took into partnership
his two sons Hugh and Joseph, and carried on the business under the
firm of “Ephraim Booth and Sons.” The eldest of these sons, Hugh
Booth, married Ann, daughter of Thomas Lovatt, Esq., and died in
1831. This firm was somewhat extensive, and produced blue printed
and other wares. The heading of their bills in 1792 was “Eph^m Booth
& Sons, Potters to His Royal Highness the Duke of Clarence and St.
Andrew’s, in the Kingdom of Great Britain, Earl of Munster, in the
Kingdom of Ireland.” “Stoke, Staffordshire.” At that time (1792) some
of their productions were “barrel-shape” and other jugs, “ewers and
basons,” “cups and saucers, bell-shape handled,” “coffees and saucers,
fluted,” all “printed Dresden pattern;” “tureens and ladles, green
edge, cream-coloured glaze;” sallads, baking dishes, fish-drainers,
oyster-shells, pickle leaves, egg-cups, peppers, mustards, scollop
shells, sauce tureens, all stands either “green edge,” “blue edge,”
or “blue and green;” tea-pots, milks, bread and butter plates, &c.,
“narrow flute, printed Dresden pattern,” &c.
* * * * *
_Wolfe._--Mr. Thomas Wolfe was a very successful manufacturer,
the latter part of last century. He died in 1818, and was, I believe,
succeeded by his son-in-law, Mr. Robert Hamilton, and afterwards by
Messrs. W. Adams and Co.
Public-domain text, read in full here on John Shaqi.
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