The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The “Ivy House” might originally have been roofed with thatch or mud,
like the other buildings of the district, but it was afterwards tiled,
as shown in the engraving. In front was a small garden enclosed with
a low wall, and a brick pathway led from the gate to the doorway. The
front faced the open space called the “Green Bank,” and adjoining was
a low, half-timbered, thickly-thatched building, afterwards known as
the “Turk’s Head,” and beyond this again was the maypole, on “Maypole
Bank,” on the site now occupied by the Town Hall. At the opposite side
of the house from the Turk’s Head was a gateway leading into the yard
of the works, which made up one side of Shoe Lane, the pot-works of
John and Thomas Wedgwood, with which they were connected, being on the
opposite side of the lane. These works and house have the reputation of
being the first roofed with tiles in the district--the usual roofing
being thatch, or oftener still, mud. At the Ivy House Josiah Wedgwood
carried on the manufacture of his ornamental goods, his more ordinary
ware, I believe, being produced at the Churchyard. At the Ivy House
works he produced many things far in advance of his day, and to the Ivy
House itself he brought home his bride, and there lived happily with
her for several years.
* * * * *
_Lakin and Poole._--Messrs. Lakin and Poole were in business in
Burslem, and doing a very extensive trade, at the latter end of the
last century. Their billhead in October, 1792, was simply “Burslem,
Staffordshire, Bought of Lakin & Poole,” and in the front of the
heading was a garter and star, surrounding a vase, on which was
“Manufacturers of Staffordshire Earthenware. Table Services Enamelled
or Painted with Arms, &c., &c.” On the garter “Burnished gold got up
as in London.”[47] In 1793 (July) a new billhead was used--“Burslem,
Staffordshire, Bought of Lakin and Poole. Blue Painted Table Services,
&c., and Coloured in all its various Branches.” At the front is a
standing figure of Commerce, with an anchor, against which is an oval
tablet with “Table Services Enamelled with Arms, Crests, Cyphers, &c.,
&c.,” to which the figure is pointing. In many of the billheads I have
seen the word “Painted” is altered to “Printed” with a pen, and the
word “Ware” is written between (over) “coloured” and “in.” This heading
was used till the early part of 1794.[48] In December, 1794, they used
a written billhead. On the 14th of February, 1795, it is announced in a
letter that “Mr. Thomas Shrigley[49] has joined us in our manufactory
of Earthenware, and that for the future the business will be carried
on under the firm of _Poole, Lakin and Shrigley_.” In May, 1795, the
billhead (written) is “Burslem, Bought of Lakin, Poole & Shrigley,”
the managing man being R. B. Swift. This firm continued until the end
of 1795, but in January, 1796, another change took place, the firm
now being simply “Poole and Shrigley”--Mr. Lakin either having died or
withdrawn.
Public-domain text, read in full here on John Shaqi.
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