The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The Preface, which is very explanatory, is as follows:--“The
progressive improvements in the manufacture of Porcelain and
Earthenware, during the last thirty years, have raised this art
to an eminence which it never reached before in the British
Empire; and, perhaps, in no department of art has scientific
research and experiment been so productive of wealth and fame
as in this, and it is no undue encomium on the industry of the
manufacturer to state, that the consumption at home and the
demands from abroad have kept pace with the improvements which
have increased both. The important station which this art holds
amongst our manufactures renders every attempt at improvement
worthy of consideration and attention. It has been said, the man
who causes one ear of corn to grow where one never grew before,
deserves the thanks of his country; but what does that man
merit who, by indefatigable industry, contributes materially
to the advancement of the interests of his country, in the
improvement of its manufactures? It was in this class that the
late MR. THOMAS LAKIN held a situation much above
mediocrity, for, in Staffordshire, it is well known that few men
have contributed more to the improvement of an art so useful and
so much admired. The following work is the result of upwards of
thirty years of labour, study, and repeated experiment, and no
pains have been spared in arranging the various Receipts in such
a chain of connection as to render them easy of comprehension
to an intelligent operator. The Subscribers may rest assured,
that the whole of the following Receipts may be individually
depended upon as genuine, each having been repeatedly tried in
the course of the author’s long experience. Mr. Lakin had also
extensive practice in the admired art of Staining and Painting
Glass; several windows of exquisite workmanship were executed by
him during the time he was engaged with John Davenport, Esq.,
for some of the first noblemen in the kingdom. The Receipts,
together with the method of using them, are therefore laid down
from actual experiment, and it is hoped will be found extremely
valuable. In presenting the following work to the subscribers,
Mrs. Lakin is anxious to express her gratitude for the liberal
encouragement she has met with, and for the highly gratifying
tribute they have paid to the abilities of her departed husband;
but to the kindness of those gentlemen who had before purchased
some of the Receipts at a price far beyond the whole charge of
this work, and yet have become subscribers, she feels herself
particularly indebted. Mrs. L. respectfully solicits of the
subscribers not to permit persons who are not purchasers to
copy any of the Receipts, as it might not only injure her as
proprietor of the copyright, but also other subscribers; on her
Public-domain text, read in full here on John Shaqi.
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