The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_Newport Pottery._--These works were established at the close of
last century by Mr. Walter Daniel, and about 1810 passed into the hands
of Mr. John Davenport. The manufacture was afterwards carried on by
Messrs. Cork and Edge, and is now continued by Messrs. Edge, Malkin,
& Co., a firm which, with various alterations in partnership, dates
back to the beginning of the present century. Messrs. Cork and Edge,
in their ordinary earthenware, introduced many years ago a process of
inlaying the patterns in the ground body, but of different colours.
These were intended for the cheapest markets, but were produced in
good taste. Three of these designs, two tea-pots and a ewer, shown
at the Great Exhibition of 1851, are engraved on Figs. 381 to 383.
The productions of the firm at the present time are dinner ware; jet,
enamelled, lustre, and other fancy goods; and all the ordinary wares
for the home and foreign markets.
[Illustration: Figs. 381 to 383.]
* * * * *
_Newport Works._--Established in 1866 by Malkin, Edge, & Co. for
the manufacture of encaustic and other tiles. The tiles are made from
dust (by the process of Messrs. Boulton and Worthington), by which
process the various colours are fixed in the tile, immediately and
without pressure, in the following manner. “On a level block of iron,
surrounded by an outer casing which is movable, is placed a sheet of
brass with the pattern cut out of the same, and into the different
spaces are put the various coloured clays, in dust, required. A raised
counterpart of the design is then gently pressed upon these dusts, and
the brass sheet, or plate, is removed. The outer casing before referred
to is then raised according to the thickness required, and the space is
filled up with dust to form the body of the tile. A screw, worked by a
wheel, is then lowered upon the outer casing and block, which forces
the out-casing back again to its former position around the level
block, as far as the dust will allow. The tile is then taken out of the
outer casing, and is completely finished, with the exception of being
fired. This screw pressure produces in a few moments a remarkably solid
substance.” Messrs. Malkin, Edge, & Co. produce an extensive variety
of patterns, both in encaustic, wall, and other tiles. The designs are
good and effective, and the colours rich, clear, and well defined.
[Illustration: Figs. 384 and 385.]
[Illustration: Figs. 386 and 387.]
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account