The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
delicate and clever.
Another striking speciality of design in Messrs. Davenport’s china is
the clever and artistic way in which they have adapted the old Willow
pattern to the modern requirements of déjeuner services and menu
holders. The forms of the various pieces composing the service are of
quaint and striking elegance, and, being heightened by massively gilt
handles, and by strictly appropriate gilding of borders, rims, feet and
raised ornaments, an effect is produced which is surpassingly “taking.”
The déjeuner of which I have thus briefly spoken is one of the most
successful adaptations of the Willow pattern yet achieved.
In “stone china,” Messrs. Davenport’s dinner and dessert services,
as well as jugs and other articles, are of faultless quality, and
the styles of decoration, especially those which are adaptations--not
servile imitations--of old Indian patterns, are remarkably good and
effective. In some of these the spirit of the foreign artist has been
so thoroughly caught, that, to the casual observer, they might well
pass for genuine foreign pieces. The services in ordinary earthenware
are extremely varied in pattern, in amount of decoration, and in
variety of shapes; they are of good quality.
[Illustration: Figs. 429 to 431.]
The marks used by Messrs. Davenport have been various, but almost in
every instance the anchor has been the distinguishing characteristic;
it is the trade mark of the firm. The crown was first used by them,
on the Royal Service for William IV., and is now generally used on
porcelain services. Figs. 429 to 436 are impressed marks.
[Illustration: Figs. 432 to 436.]
The printed marks are, a circular garter, bearing the words DAVENPORT
LONGPORT STAFFORDSHIRE, surrounding an anchor and the words “Stone
China” in script. Another is a shield, with the words 30 CANNING PLACE
LIVERPOOL 82 FLEET STREET LONDON encircled by a garter bearing the
words DAVENPORT LONGPORT STAFFORD^{RE} and surmounted by the crest, an
anchor on an heraldic wreath. Another has a circular garter, bearing
the words DAVENPORTS & CO. surrounding the address, 82, FLEET STREET
LONDON.
* * * * *
_Longport Terra Cotta._--At the 1851 Exhibition Mr. W. Marsh, (modeller
at Davenports’) of Longport, exhibited a very successful example of
terra cotta produced by him. It was a wine-cooler of bold and good
design. It is engraved on Fig. 414. In the early part of this century
Messrs. Samuel Marsh & Co. were manufacturers at Brownhills.
[Illustration: Fig. 437.]
* * * * *
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