The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1836 the premises were opened by Messrs. Robinson, Wood, &
Brownfield, and after Mr. Robinson’s death, in the same year, were
continued by Wood & Brownfield. In 1850 Mr. Wood retired, and the
business was continued solely by Mr. Brownfield (who died in 1873)
until 1871, when he was joined in partnership by his eldest son, Mr.
William Etches Brownfield, and from that time to the present the
firm has been carried on under the style of “W. Brownfield & Son.”
The goods produced during the earlier period of the works were the
ordinary white, blue printed, and sponged varieties of earthenware.
From 1850, when the works became the sole property of Mr. Brownfield,
rapid strides were made in the improvement of the wares, and under
the present firm they have become equal to any others produced. In
earthenware, which, both in body and glaze, is of more than average
quality, Messrs. Brownfield & Son produce white, printed, enamelled,
and gilt wares, from the simplest to the more elaborate and costly
patterns, in table, toilet, and dessert services, and all the usual
articles for household use. Many of the printed patterns are well
designed, and in the better classes of goods the enamelling and gilding
are very effective. Some of the most successful are imitations of
the grand old patterns adopted by Mason on his ironstone china. The
stoneware jugs produced are a speciality of this firm, and take a
foremost rank; in quality of body they are remarkably good; while in
form, in modelling, and in decoration they are of equal excellence.
The group Fig. 439 represents some examples from the Exhibition of
1862, where the firm, as well as at Paris in 1867, received a medal.
Tea services, tea-kettles, tea-pots, flower-pots, vases, jardinière,
trinket services, and other goods, are also produced in earthenware
in every style of decoration. Notably among these is a remarkably
well-designed and elegant strawberry tray, formed of shells and
strawberry leaves, with a seated Cupid in the centre at the back; it
is particularly artistic, both in composition, in execution, and in
colouring.
Public-domain text, read in full here on John Shaqi.
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