The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1843, Mr. William Ridgway, younger son of Job Ridgway, held, with
his partners--composing three or four distinct firms of which he was
head--six different manufactories in Hanley and Shelton. These were,
1st, a china manufactory in Hanley, formerly worked by George, and
afterwards by Thomas, Taylor; 2nd, the earthenware works late belonging
to Elijah Mayer & Son; 3rd, the pot-works formerly worked by Robert
Wilson and next by Philips & Bagster, where ordinary earthenware and
high-class chemical goods were made; 4th, the pot-works previously
belonging to Toft & May; 5th, the “Bell Bank” works, in Shelton,
formerly George Ridgway’s; and 6th, the old manufactory formerly
belonging to John Baddeley (where printing with oil is said to have
been first introduced) and next to Hicks, Meigh, & Johnson.
The goods produced at Cauldon Place embrace almost every description
of ceramics. In earthenware all the usual table and toilet services,
and useful and ornamental articles of every class are made. The quality
is peculiarly good, hard, compact, and durable, and the patterns
chaste and effective. They are produced in white and in every variety
of printed, flown, enamelled, painted, and gilt patterns. In china,
which in body and glaze is of the highest quality and of peculiar
durability, an immense variety of services and articles are produced,
and all are equally good in point of artistic decoration; the ground
colours, whether rose du Barry or otherwise, of a remarkable purity
and evenness, and the gilding, both dead and burnished, of unusual
solidity. The same remarks apply with equal force to the dessert ware,
some of the patterns of which are of surpassing loveliness and give
evidence of the highest and most successful cultivation of decorative
art. One special design has an outer rim, so to speak--for the plate
itself is perfect without it--formed of loops of ribbon standing out
clear from the beaded edge of the plate. This simple but graceful
arrangement imparts a lightness and elegance to the service which are
quite refreshing. Another has the rim formed of rays of pellets with
a pleasing and novel effect; the tripod stands of the comports being,
like the plates, exquisitely modelled and richly painted and gilt.
Other patterns, notably one with a rich maroon ground and white bead
edge, are, besides being exquisitely painted and gilt, enriched with
jewelling. Vases of pure and severe taste in form, and displaying great
skill and judgment in decoration, are also produced, as are likewise
jugs of faultless excellence. Among other elegant articles Messrs.
Brown-Westhead, Moore & Co., have a sandwich-box of white china; it
is of wicker or basket work, with a fern leaf laid across the lid, on
which rests the butterfly which forms the handle. At each corner hangs
a piece of stem bent into a ring and tied into form with a ribbon. This
ribbon and the butterfly being tinted in azure with enamel, and all the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account