The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“The members of this firm, namely, Mr. John Stanway, Mrs. Thomas Horne
(Mr. Stanway’s sister), and Mr. Thomas Adams,” writes my good friend
Mr. Goss, “are all natives of Etruria, where their grandfathers were
the valued servants of the great Josiah Wedgwood. Mr. Stanway’s father
was the William Stanway mentioned by Mr. Jewitt in his ‘Life of Josiah
Wedgwood,’ as one of the ‘Etruria Jubilee Group of Francis Wedgwood,
Esq., and nine workmen, whose average term of servitude is fifty-four
and a half years, November, 1859;’ and Mr. Jewitt further remarks:
‘It is interesting to note that in the person of one of these men,
William Stanway, an absolute link with the great Josiah is kept up.
This man began to work at Etruria the very year of Josiah Wedgwood’s
death (1795), and has remained there ever since--a period of sixty-nine
years.’ Two others of the nine workmen of the Jubilee Group--William
Adams and John Adams--were uncles to Mr. Thomas Adams of the above
firm. Mr. John Stanway has distinct recollections of his grandfather,
John Stanway the elder, who for many years served the first Josiah,
and died in the service of the second. His occupation at the works
was that of “slipmaker” or claymaker, a position of great trust at
that time, when not only the newly-invented proportions but the very
materials used in the composition of the clays were important secrets.
It is curious to reflect that the ingredients of all the famous jasper
and other wares which the great Wedgwood produced, and which are now
numbered among the treasures of kings and emperors, were blended and
made into clay by this John Stanway the elder. Being proved a faithful
servant, he was greatly valued and favoured by his employer, spending
a portion of his time in personally waiting upon Wedgwood at Etruria
Hall, whence he used to carry valuable parcels and letters to the Three
Tuns Inn at Newcastle-under-Lyme, which was in those days the stage
coach house. After the death of Wedgwood, John Stanway retained the
same share of the confidence and favour of the second Josiah, both at
the manufactory and at the Hall. At that time the country where Etruria
now stands, and for miles around, was an uncultivated waste, and Mr.
Stanway remembers to have accompanied his grandfather many times when
he trudged along the road from Etruria Hall to Newcastle, with his
parcels on his back, and his dog Driver and his cat Molley following
him all the way, a distance of about two miles. In these journeys it
appeared to be distinctly understood between the two animals that
Driver was Molley’s protector, and the confidence of the latter was
always justified in the moment of danger. In those days old Stoke
Church (since removed) was the only church for miles around, and the
Wedgwoods had their freehold pew there, which they regularly used until
the second Josiah bought the Maer estate, near Whitmore, and removed
to it from Etruria Hall. ‘Then,’ relates Mr. John Stanway the younger,
‘Mr.
Public-domain text, read in full here on John Shaqi.
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